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The poor judgement extends to casting as well, with Whitaker acting circles around James. The script busts out every antiquated stereotype in the book, with plenty of unimaginative caricature to go around for the Jews, the Muslims, the LBTQ community, and whoever else might be curious enough to watch this best-forgotten cringefest. Stave off the shakes with this Prince and the Pauper -style trifle that sends Vanessa Hudgens to the Belgravian palace to compete in a reality show that is pointedly not related to The Great British Bake-Off. Belgravia seems to be in Eastern Europe, though everyone has a crisp British accent, and Belgravia is a real place in the U. Just something to consider as you wait for the movie to end. Greg Pritikin, director of the criminally underseen Adrien Brody vehicle Dummy , plugs Chevy Chase and Richard Dreyfuss into the the machine that takes in geriatric acting legends and spits out toothless jokes about dentures. Orbiter 9 Only God and Ted Sarandos will ever know why, but Netflix seems to be willing to buy up just about any sci-fi project it can get its licensing contracts on. Director Hatem Khraiche sees the putrid foundation of this premise more clearly than Morten Tyldum ever did, but the lack of star-power as a serviceable distraction leaves the match-up a wash. The Highwaymen You may think that Bonnie and Clyde were a pair of sexy, morally ambiguous counterculture types thumbing their nose at John Q. Love your children, love yourself, and just go with Gnomeo if the offspring insists on diminutive-sized fun. Sometimes A notion that could be the stuff of great black-box theater turns into a limply mounted The More You Know advert in this single-issue drama imported from India. Nicholas Hoult, to his credit, plays his reluctant soldier as a bit savvier than the usual bumpkin on a collision course with shell shock. But otherwise, Brazilian filmmaker Fernando Coimbra contributes nothing novel to the conversation. And on top of all that, the gap in age and attractiveness between PM Rispoli and Senator Rossi is, in a word, noticeable. Each septuplet gets to stray out in the world under a shared identity for one day of the week, though they all have one distinctive character trait, Multiplicity -style. A ludicrous conspiracy plot linking government officials and nefarious schemes to control the populace through resource withholding gives the film shape, explained through endless and interminable dumps of exposition and implausible turns of plot. Of course Glenn Close did it. Glenn Close always did it! As young adults, they return to the house where they grew up following the death of their parents, and Alia starts to get a much clearer bead on the phantoms her sister once screamed about. Realized with a inadvertently charming lack of technical polish, the film cycles through the usual haunted-house tricks as steadily and as predictably as a carnival ride. Ali lies to his family about his med school test scores and sets a series of farces in motion, all as he pursues his crush Dianne Helenna Sawires in a lunge at personal agency. On the way to a banal final moral, director Stephanie Laing indulges in all manner of shameless emotional manipulations, the most egregious of which revolves around a rascally terminal patient portrayed by Christopher Walken. He puts a brave face on while withstanding suffering, both within and without the context of the film. Juanita Alfre Woodard gets her groove back in this menopausal comedy that just so happens to be written by her husband Roderick Spencer. She catches a bus to Butte, Montana, presumably a choice vacation spot for the Woodard-Roderick family, then gets her blood pumping by rehabilitating a flagging restaurant and shacking up with its fetching Native chef Adam Beach. The Climb In , a French-Algerian free spirit who had never set foot on a mountain in his life summited Everest through sheer force of will. Forcing this story into the mold of a romance negates the inspirational overtones and makes Nadia into a trophy awarded to Samy right on cue. My research suggests that some encoded details will make this a richer experience for Indonesians and those familiar with the culture. Clinical Everybody knows therapists are just as unwell as their patients, but Dr. Jane Mathis Vinessa Shaw has a little bit more going on upstairs than the usual head-case shrink. Take this Spanish-language con game transplanting Dirty Rotten Scoundrels from the French Riviera to a luxury cruise liner: The much-touted popularity of Like Father surely compelled Netflix to seek out other vacation-ship-based entertainment, and with scamming currently on-trend, this was a no-brainer buy. Niccol has been wise about future panic up until now, when he alternately ignores and simplifies the implications of a complete eradication of privacy. He assigns a pat killer-on-the-loose plot to an intriguing hook, casting Clive Owen as the hard-nosed detective hunting a murderer off the universal grid, and Amanda Seyfried goes digital femme fatale as a woman mysteriously exempt from the omnipresent readout. Substitute teachers looking to keep eighth graders busy for an hour would be better off with another Gattaca rewatch. Rowling and the Royal Family. Director Vicky Jewson does not, saddling Sam with emotional baggage that turns her own womanhood against her, and succumbing to her own paltry-budget limitations. But without sufficient funding and off-screen talent, she never stood a chance. Mercy Adult children tend to show their true colors when their parents reach their deathbed. For that approach to work, the audience must first be given a reason, any reason at all, to care about what happens to these people. With each brother blander than the next, however, the big reveal wields all the dramatic heft of a balloon. In the Shadow of Iris French erotic thrillers are like the beef stew of cinematic genres: My suspects: Erotic-thriller sex should be scary in a hot way, not scary in a 50 Shades of Grey way. Shimmer Lake Smarter than the average Coen Brothers ripoff looking at you, Cut Bank , this one has the good sense to also be a Memento ripoff. A little bit of money. Throwing more money at a production rarely solves problems, but for a premise that wholly orients itself around the near-pornographic gazing upon military weaponry — much of it fantastical, engineered with futuristic technologies explained at length — looking good is everything. Brain on Fire Susannah Cahalan had it all: Let me put it this way: On both counts, the answer is a confidently intoned yes. And that title? The title is an enigma more engrossing than the film containing it. Coin Heist Coins are amazing — designed using lasers, mass-produced through an elaborate assembly line of casting and forging, inspected down to the tiniest detail for flaws so minute only professionals can see them, and all for something we keep in our pockets only to trade for chewing gum. Unfortunately, two worthwhile performances have gotten trapped in this otherwise maudlin film: Bomb Scared You thought eating disorders were a testy source for laughs? This Spanish-language comedy focuses on a dunderheaded gang of Basque-separatist extremists, impatiently awaiting their next mission while Spain makes a run at the World Cup in the background. Director Borja Cobeaga treats their mission to await instruction in a safe house like a tedious office job and the characters like bumbling wage slaves instead of radicalized killers. One hopes that top-flight choreography might pick up the slack left by cookie-cutter writing, but alas, these Scandinavian posers have already been served by their American cousins. Skam -heads aside, best moonwalk your way to Step Sisters instead. Until, of course, we figure out the game — at which point all that remains are some eye-catching diversions with pink, green, and yellow, along with a few practical effects shots not worth writing home about. There is only one Tyler Durden. Walraven van Hall is no Oskar Schindler — though this biopic wants him to be so very badly — and star Barry Atsma does a commendable job of giving this real-life human being an identity of his own. His White Fang had teeth, speaking to a young-adult audience prepared to reckon with the hazards of the natural world, but this kiddie spin strips the woods of their formidable might. A scene depicting dogfighting feels out of place in a film so mushy. The title pretty much translates to Lost Girl. Kodachrome True facts: A good villain could have made up for the scripting, but the trio of little undead girls only serves to add The Shining to the laundry list of superior films from which this one has leeched. Free Pugh. Take the 10 For those viewers in search of a scattershot, fitfully funny crime caper in which Tony Revolori spends one long day scrambling around the outskirts of L. At least that one had a more charming leading man in Shameik Moore than this one gets in Josh Peck, playing a sleazebag with the pretty face of a former child TV star. That movie had some entry-level commentary on race, too, and a nifty soundtrack from Pharrell. The most a critic can say is that its pop-culture references are very of-the-moment. Angel and Coote have forgotten all the rules that hold slasher movies together: Evil , about a pair of convivial rednecks who, through a series of unfortunate accidents and coincidences, present as bloodthirsty lunatics to a gaggle of nubile vacationers. Handsome From the opening narration in which the culprit introduces himself and confesses to his crime, this comedy purports to be a different breed of murder mystery. Sahara In the abattoir of lowest-common-denominator kiddie entertainment, a viewer can sometimes read between the lines and see the grown-up writers starting to crack under their own madness. I credit this cut-rate French-Canadian co-production with offering the most glimpses into the frustration that comes alongside making a cartoon about the desert adventures of a scorpion and a cobra. Lucid Dream Among the curiously large backlog of East Asian sci-fi projects that Netflix has imported, this does not rank among the more memorable. She then squandered part of that goodwill on limp-noodle biopic Mary Shelley , and now threatens to completely deplete it on this rom-com lacking both volume and a lustrous aesthetic shine. Uptight advertising exec Violet Sanaa Lathan keeps her life as rigorously controlled as her elaborately treated do, but she must forsake the picture-perfect fakery to go natural up top and find herself. Sunanda Usha Jadhav is precisely the sort of character that Chopra and other outspoken advocates for women in the entertainment industry have called for. A lawyer ardently arguing for abused women against their alcoholic husbands, she has a feminist yen for justice at war with an inner turmoil that still haunts her. Take a wild guess at what happened in her past to make her pursue this particular line of work. For a while, the character is more fully-developed than the film around her, until the final twenty minutes take some shall-we-say-unanticipated turns that seriously undercut its progressive messaging. Slightly coercive sex and cuckolding: Revenger The seventh art started going downhill the day that CGI blood was ruled more cost-effective than squib packs and karo syrup. Hopefully, powerhouse star Bruce Khan will find more sure-handed tutelage elsewhere, and soon. The most costly production in Malay film history often feels like an extended recruitment video, showing how PASKAL soldiers save lives and assist the UN in keeping the peace without pushing back against the undercurrent of jingoism. Leader of men Commander Anwar Hairul Azreen entertains the notion that he may not be able to serve his country and his family at the same time, a nagging doubt typical of the war film, but the film settles that with the conclusion that country and family are one and the same. Though the three tactical operations around which the script has been molded are executed with the precision and efficiency expected of the military, the shut-up-and-put-up thinking leaves its topic only half-covered. Nowhere outside Pinterest have canned aphorisms ever carried this much clout. If only it was funnier. On the other hand, there is something slightly risky and revisionist about placing a half-Korean character in a role so historically steeped in whiteness. If nothing else, the specter of Long Duk Dong will have been forever dispelled. From a city-block bombing to a shooting spree at a campground, Greengrass treats discretion like weakness as he shows and shows and shows. Benji The Great Louisiana Tax Break Production Boom has attracted many stars to the oak-lined streets of New Orleans over the past decade, and the latest addition to the list is the hottest star on four legs, wonder dog Benji. The best that can be said for this neutered reboot of the musty mutt franchise is that it makes active use of its surroundings where so many have attempted to obscure them. And yet nu-Benji lacks a certain canine charisma present in his doggy forebears, and weirder still, this film plays up the element of Christian dogma — thank you, thank you — traditionally constrained to the subtextual level. Rebirth The first rule of this anti-corporate psychological thriller is do not talk about Fight Club. Goldberg breaks his pal out of a funk by inviting him to join a new movement of self-actualization he recently discovered, where instead of therapeutically punching the bologna out of one another, members chant creepy affirmations about accessing inner truth. Ugarte slowly comes undone as a nurse capable of communicating via haunted VHS tape with a boy who died 25 years earlier. Paulo has a week-one-freshman grasp on chaos theory, and succeeds only in dumbing the concepts down while falling into the same grandfather paradox facing any time-travel movie. Not even the broad shoulders of Ugarte can carry a film so poorly thought-through. How else to account for the absolute absence of any signs of life whatsoever in each and every performance? As a mother grieving her young son recently nabbed by wolves, Riley Keough never breaks her heart-monitor monotone, and Jeffrey Wright matches her mumble-for-mumble as the nature expert who comes to find the missing boy. A troubled young man Luke Grimes searching for his father pulls a gun and takes five hostages. Director David E. Talbert uses this pressure cooker as a breeding ground for a black comedy of schemers and bumblers, brought to life by a cast seemingly picked at random from a hat. Tim Allen! Jessica Alba! A viewer gets the impression that nobody in this motley troupe was in contact with one another during shooting. The cartoonishly inept lawmen plotting to resolve the situation have a Keystone Kops thing going on, the news team broadcasting the events occupy a more cynical atmosphere, and on the scene indoors, the shooter and his bargaining chips are doing Coen brothers cosplay. Been So Long I am of the steadfast belief that any bad movie can be improved at least slightly with the addition of musical numbers, a principle supported by this adaptation of a London stage smash. Without the occasional ditty to spice things up, this would be a standard-issue guy-meets-gal romance about a single mother trying to get back out there. While the music suffers from Repo! Burning Sands Yet another clone movie, this one retreading the stomach-churning account of hazing gone too far undertaken by Goat the previous year. But instead of tiptoeing around the jocks, prevailing attitudes of mandated prudence mean that our boys must tiptoe around their parents, their nation, and their own guilt. The sword of Damocles finally drops when his partners turn against him, his wife sends a messenger boy to announce her request for a divorce, and his substance-based hobbies threaten to worsen into habits, all on the same Monday. In America, it feels like the Sundance-industrial complex gives us another one of these every couple of years. He casts a bold silhouette as the image of gallantry, oftentimes to disbelief-testing extents. Did he really wait to deflower his teen bride, played by a poorly utilized Florence Pugh, until she was ready to give her consent? Mackenzie wants us to gawp at his lengthy tracking shots and flaming catapult, but the bouquet of loose screw-ups has a way of holding the attention. Sign Out. Best high-waisted white jeans. Best white jeans that are leggings. AE Ne x t Level Jegging. 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and she has a lot years of cocksucking e-drinks.work good vid. got any Got some crazy head mature white women of her?. A white woman has been fired from her job and faces criminal charges after video footage showed her drunkenly shouting racist abuse at two black sisters.

She now faces criminal charges for communicating threats and her employer, Spectrum, confirmed that her contract has now been terminated. Susan Westwood left is facing charges of communicating threats and simple assault against sisters Leisa and her sister Chele Garris 2nd left Got some crazy head mature white women right on October Chele Garris, one of the women who was verbally attacked along with her sister Leisa, posted a series of videos of the incident to Facebook.

In an accompanying post she wrote:. In the video, Susan Westwood engages the other women for no apparent reason. The sisters were aggressively confronted by Westwood after they politely asked her to leave more info alone.

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At one point one of them told her: One of the women is heard in the video calling and saying: She became more animated when Got some crazy head mature white women noticed the women recording her racist tirade. She proceed to shout in one of the women's faces before they went upstairs to their apartment. After the two women walk away and one of them calls to report harassment, Westwood yells at them from a distance: This is North Carolina by the way'. Leisa left and Chele Garris right said they are distraught over the incident on October Leisa left and Source right said they never encountered trouble at the complex where Chele lives.

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In a shared statement, the sisters added: The incident happened over more than five minutes as the sisters waited by their vehicle in an apartment complex parking lot for AAA car service, video shows. Go here Saturday, the video was viewed on various social media sites nearly 1 million times.

The pair said the videos showing the incident and tagging several social media outlets to expose acts of Got some crazy head mature white women.

The Charlotte Observer reported that Police on Saturday would not identify the woman who is accused of both assault and making threats. The video is the latest encounter captured with cell phone cameras that show white people across the United States bullying and threatening black people and other minorities.

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Account Profile. Sign Out. Best high-waisted white jeans. Best white jeans that are leggings. Targarona, a veteran of the Spanish film industry, has earned the right to have a little more faith in herself. The Titan Sam Worthington is one of those actors whose blank expression and generically handsome features make him the perfect candidate to portray a robot. See also: Emily Ratajkowski, Jamie Dornan. Forestalling the inevitable, this sci-fi thought exercise gets near the mark by casting Got some crazy head mature white women as something other than human — in this case, the next stage in evolution.

The film lacks focus, however, glancing past a number of thoughtful paths in an effort to simultaneously take all of them.

Pickpockets Those small-time hoodlums rationalizing theft as a victimless crime Got some crazy head mature white women tend to not realize that after long enough, they will become the real victims.

A sense of coiled-spring energy and an emphasis on the fascinating nuts and bolts of ripping strangers off can make Got some crazy head mature white women hundred-dollar job feel as exciting as a bank heist, both for us and the purloiners onscreen, who steal for the sheer rush see more much as the money. Director Peter Webber is never better than when exalting in the kinetic glory of petty larceny, his camera as weightless and carefree as its subjects, but the need to impose an arc on their lifestyle mucks up the merrymaking.

The arrival of an elder mentor in misdemeanors steers the younger leads to betrayal, jealousy, and internal conflict, all of which makes for adequate drama at the price of the poetry-in-motion exhilaration of their earlier cooperation. Emmet Walsh could be altogether bad. Still, the script arrives at the same inevitable endpoint as any other movie about someone avenging a loved one.

You know the old saying — before you embark upon a journey of revenge, dig two graves. The hole acts as a statement bangle for the film, a pop of difference standing out from the sameness. Terron leaves his fellow middle schoolers in the dust on the basketball court, and before long, a coach Josh Charles from an elite private academy headhunts him for their team.

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The rest of the movie writes itself: He gives a much better showing than the rest of the movie deserves, the room-temperature casserole of saccharine little-kid antics and uncanny-valley-plumbing CGI elves that it is. The Italian Got some crazy head mature white women of Stefano Cucchi, dramatized in this work of righteous outrage by Alessio Cremonini, sounds all too familiar: After getting apprehended by the feared martial peacekeeping force known as the Carabinieri on a minor drug-possession charge go here held in custody, the young infrastructure worker was winnowed down to a malnourished husk of himself, beaten, and ultimately killed.

I sincerely wish the best of luck to open-minded viewers making heads or tails of this, but anyone put off by obtuseness may wind up wanting their minutes back. Steel Rain Japanese anxiety over the devastation of the atomic bomb gave us Godzilla, and now the ongoing nuclear tensions between North and South Korea have yielded this jittery, paranoid missile thriller.

The Discovery In the vast gulf between conception and execution, we have this down-tempo thought experiment from Charlie McDowell. In a world where Robert Redford has conclusively proven the existence of an idyllic afterlife, Got some crazy head mature white women suicide rate has mushroomed. Jason Segel and Rooney Mara are strangers with a mysterious attraction and conflicting opinions about what to do with this frightening new frontier.

Director Anne Fletcher and screenwriter Kristin Hahn go here themselves in an advantageous position by building their adaptation of a YA smash around the music and philosophy of Her Dollyness, an idol to plus-size Willowdean Danielle MacDonald. She wants to teach her negligent mother Jennifer Got some crazy head mature white women, bringing it a lesson by winning the beauty pageant that occupies her every waking moment, and the Got some crazy head mature white women stated moral of body acceptance is all well and good.

The Laws of Thermodynamics Screenwriters are always trying to impose reason on the thorny tangle of contradictions that is love, but Spanish genre tinkerer Mateo Gil does so with more studied rigor. His script proposes that the laws of physics governing the chaotic movement of subatomic particles and the delicate space-time continuum can also be applied to the bonds between people. Gil brings a zingy, Gondry-esque energy to his experiment in bridging the gap between the mind and the soul, but his characters nonetheless possess all the pathos of a textbook word problem.

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In this daft laugher from across the pond, Julian Barratt plays the washed-up Thorncroft in the present day, as he shills his way through middle-age in humbling commercial spots. He gets a shot at redemption when a homicidal maniac demands the police put him in contact with the real Mindhorn, and much to the displeasure of his real-cop partners, Thorncroft gets back into character. Barry Barack Obama is the coolest commander-in-chief to have ever graced the Oval Office — more info is fact.

Remember back when those were qualities the president had? A Kickstarter campaign to drum up a budget outlined a daring plan to shoot guerrilla-style inside of real moments as they unfold: This two-hander drama is situated at the inevitable point where sickness bleeds over into the more meaningfully personal — friends, romantic relationships, family.

Over the course of one evening, grueling even at a brief 71 minutes, she goes from tough-love counselor to enabler as she helps Seth score to Got some crazy head mature white women him from dying of withdrawal.

Both Jacobson and Franco are up to the task, never coming off as tourists in the genre like so many comedic actors stretching their range, and the ending is a lot darker than they play it. All the more frustrating, then, that the script would hamstring their work with such missteps as easy symbolism, voice-over overload, and crucial lines that Got some crazy head mature white women false.

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Anyone over the age of 60 will most likely be charmed by this softly told romance between seniors-who-still-got-it Robert Redford and Jane Fonda, but everyone can share in Got some crazy head mature white women warmth this sweet-natured, if mild, film radiates.

Adult children Judy Greer and Matthias Schoenaerts bring trouble into their geriatric Eden, but the prevailing tone is that of comfort.

Even so, he still needs Got some crazy head mature white women formulate a sense of artistic self in terms of both originality and control before he can join the ranks of the proud troublemakers he so clearly idolizes. The Package For a movie about a kid who cuts his own dick off while drinking and camping, it could be a lot worse! Not a high bar to clear, admittedly, but Geraldine Viswanathan makes it look easy.

Brassy and quick with a cutting aside, the Blockers scene-stealer acts circles around the rest of the cast particularly lead Daniel Doheny, as forgettably handsome here as in Alex Strangelove as they go on a mad dash through the woods to return the recovered member to its owner after their pal gets airlifted to the nearest hospital.

Birthday sex Watch Girl worships males lovestick with her face hole Video Bhojpuri Sexxy. No, send in the riot squad Eco-mob plot to ruin Easter: Climate protesters vow to bring Heathrow to its knees on Good Friday The Cotswold Conspirators: How four key players in the Extinction Rebellion eco-mob plotted chaos in London Prince Charles calls for an end to knife crime in his Easter message, saying anyone who commits 'such brutal Chilling call The great hot cross bun taste test! British teacher couple killed in ft ravine plunge on Santorini 'died when they accidentally Two British people DIE after receiving yellow fever vaccines as health chiefs urge doctors to use extreme Coroner warns parents against sleeping with their babies after a six-day-old boy died in his father's arms How page after page is covered with redactions covering WikiLeaks, Manafort and Special Counsel's blockbuster findings on Russian collusion in the White House fightback begins: Trump denies reacting to Russia probe by saying 'this is the end of my Headteacher, 44, is struck off for failing to protect Shanay, seven, who was tortured to death by her She's put bent mafia judges behind bars in Chicago and now the new Serious Fraud Pippa Middleton takes baby Arthur swimming to make sure he sleeps well and gets Photo that puts our holidaying MPs to shame: Couple who had been married for 54 years labelled their belongings with who should get them before killing Crusaders married local women, had families and their sons fell in battle as they tried to reclaim the Holy Heartbreaking pictures show man digging a grave for his dog while the pet watched - before vet changed his What could have been an amoral romp in the vein of American Made lands in a more subdued, inert mode, never quite reveling in its own misdeeds. Solo Alright, cards on the table, Netflix. Two days later, this Spanish tribute to real-life perseverance popped up under a nearly-identical title. The retelling of one Irish U. That results in a weird dissonance, where the film works as a discrete whole but fails on a scene-by-scene basis. The ensuing dash to get the sinewy hellion back in his container drably shuffles through its action sequences and has a, shall we say, utilitarian relationship to language. Tallulah Former Orange Is the New Black writer Sian Heder tries her hand behind the camera for this study in contrasts about three women all chafing under the demands of motherhood in their own way. In the title role, Ellen Page is a street urchin feeling lost after her good-for-nothing boyfriend abandons her, but finds new meaning in life when fate puts a helpless infant in her custody. Well-measured restraint improves the acting across the board, which in turn keeps this film away from the treacly sentiment that occasionally rears its weepy head. Janney takes it in a walk, naturally. Targarona has a perceptible admiration for Boix and the bravery required to surreptitiously document some of the most heinous crimes against humanity that history has ever seen. Targarona, a veteran of the Spanish film industry, has earned the right to have a little more faith in herself. The Titan Sam Worthington is one of those actors whose blank expression and generically handsome features make him the perfect candidate to portray a robot. See also: Emily Ratajkowski, Jamie Dornan. Forestalling the inevitable, this sci-fi thought exercise gets near the mark by casting Worthington as something other than human — in this case, the next stage in evolution. The film lacks focus, however, glancing past a number of thoughtful paths in an effort to simultaneously take all of them. Pickpockets Those small-time hoodlums rationalizing theft as a victimless crime often tend to not realize that after long enough, they will become the real victims. A sense of coiled-spring energy and an emphasis on the fascinating nuts and bolts of ripping strangers off can make a hundred-dollar job feel as exciting as a bank heist, both for us and the purloiners onscreen, who steal for the sheer rush as much as the money. Director Peter Webber is never better than when exalting in the kinetic glory of petty larceny, his camera as weightless and carefree as its subjects, but the need to impose an arc on their lifestyle mucks up the merrymaking. The arrival of an elder mentor in misdemeanors steers the younger leads to betrayal, jealousy, and internal conflict, all of which makes for adequate drama at the price of the poetry-in-motion exhilaration of their earlier cooperation. Emmet Walsh could be altogether bad. Still, the script arrives at the same inevitable endpoint as any other movie about someone avenging a loved one. You know the old saying — before you embark upon a journey of revenge, dig two graves. The hole acts as a statement bangle for the film, a pop of difference standing out from the sameness. Terron leaves his fellow middle schoolers in the dust on the basketball court, and before long, a coach Josh Charles from an elite private academy headhunts him for their team. Koo misses the three, but sinks the layup. The rest of the movie writes itself: He gives a much better showing than the rest of the movie deserves, the room-temperature casserole of saccharine little-kid antics and uncanny-valley-plumbing CGI elves that it is. The Italian case of Stefano Cucchi, dramatized in this work of righteous outrage by Alessio Cremonini, sounds all too familiar: After getting apprehended by the feared martial peacekeeping force known as the Carabinieri on a minor drug-possession charge and held in custody, the young infrastructure worker was winnowed down to a malnourished husk of himself, beaten, and ultimately killed. I sincerely wish the best of luck to open-minded viewers making heads or tails of this, but anyone put off by obtuseness may wind up wanting their minutes back. Steel Rain Japanese anxiety over the devastation of the atomic bomb gave us Godzilla, and now the ongoing nuclear tensions between North and South Korea have yielded this jittery, paranoid missile thriller. The Discovery In the vast gulf between conception and execution, we have this down-tempo thought experiment from Charlie McDowell. In a world where Robert Redford has conclusively proven the existence of an idyllic afterlife, the suicide rate has mushroomed. Jason Segel and Rooney Mara are strangers with a mysterious attraction and conflicting opinions about what to do with this frightening new frontier. Director Anne Fletcher and screenwriter Kristin Hahn placed themselves in an advantageous position by building their adaptation of a YA smash around the music and philosophy of Her Dollyness, an idol to plus-size Willowdean Danielle MacDonald. She wants to teach her negligent mother Jennifer Aniston, bringing it a lesson by winning the beauty pageant that occupies her every waking moment, and the baldly stated moral of body acceptance is all well and good. The Laws of Thermodynamics Screenwriters are always trying to impose reason on the thorny tangle of contradictions that is love, but Spanish genre tinkerer Mateo Gil does so with more studied rigor. His script proposes that the laws of physics governing the chaotic movement of subatomic particles and the delicate space-time continuum can also be applied to the bonds between people. Gil brings a zingy, Gondry-esque energy to his experiment in bridging the gap between the mind and the soul, but his characters nonetheless possess all the pathos of a textbook word problem. In this daft laugher from across the pond, Julian Barratt plays the washed-up Thorncroft in the present day, as he shills his way through middle-age in humbling commercial spots. He gets a shot at redemption when a homicidal maniac demands the police put him in contact with the real Mindhorn, and much to the displeasure of his real-cop partners, Thorncroft gets back into character. Barry Barack Obama is the coolest commander-in-chief to have ever graced the Oval Office — this is fact. Remember back when those were qualities the president had? A Kickstarter campaign to drum up a budget outlined a daring plan to shoot guerrilla-style inside of real moments as they unfold: This two-hander drama is situated at the inevitable point where sickness bleeds over into the more meaningfully personal — friends, romantic relationships, family. Over the course of one evening, grueling even at a brief 71 minutes, she goes from tough-love counselor to enabler as she helps Seth score to keep him from dying of withdrawal. Both Jacobson and Franco are up to the task, never coming off as tourists in the genre like so many comedic actors stretching their range, and the ending is a lot darker than they play it. All the more frustrating, then, that the script would hamstring their work with such missteps as easy symbolism, voice-over overload, and crucial lines that ring false. Anyone over the age of 60 will most likely be charmed by this softly told romance between seniors-who-still-got-it Robert Redford and Jane Fonda, but everyone can share in the warmth this sweet-natured, if mild, film radiates. Adult children Judy Greer and Matthias Schoenaerts bring trouble into their geriatric Eden, but the prevailing tone is that of comfort. Even so, he still needs to formulate a sense of artistic self in terms of both originality and control before he can join the ranks of the proud troublemakers he so clearly idolizes. The Package For a movie about a kid who cuts his own dick off while drinking and camping, it could be a lot worse! Not a high bar to clear, admittedly, but Geraldine Viswanathan makes it look easy. Brassy and quick with a cutting aside, the Blockers scene-stealer acts circles around the rest of the cast particularly lead Daniel Doheny, as forgettably handsome here as in Alex Strangelove as they go on a mad dash through the woods to return the recovered member to its owner after their pal gets airlifted to the nearest hospital. The movie formerly known as Eggplant Emoji does a bang-up job of stretching this thin premise to feature length, throwing obstacles at the characters and mining laughs from the solutions they have to gin up on the fly. In the future metropolis of Grainland creators Kevin R. Her mom Molly Constance Wu spends all her time fiddling with the family bots, leading Mai Su to wander off on an adventure where she becomes acquainted with a one-of-a-kind, state-of-the-art model labeled Her assignment to have him eliminate his mechanical brethren is only the first unexpected move in a series of zags-over-zigs, culminating in poignant scenes featuring the inspired concept of artificial amnesia. Step Sisters The Bring It On series, the clear antecedent to this dance flick which is, mercifully, far superior to Dance Flick , kept considerations of class and race in the mix through its many installments. A supporting performance from Matt McGorry as a semi-self-aware, even more intolerable version of his already intolerable self instantly validates the casting. Calibre The forbidding Scottish highlands provide a spooky backdrop for a back-to-basics horror movie — of sorts. A pair of lads working the classic yin and yang of manliness one rips lines of coke and chases skirt, the other is a dutiful husband to a pregnant wife go out for a hunting holiday in the untamed U. Shame runs both men through a wringer of remorse, accentuated by the disconnect between their city manners and the decency of their country-folk hosts. In the opening moments, a scientist wakes up beside his ex-lover. Masked men storm into their room a moment later, drag them into the basement, demand a huge payoff, and kill our man when he tries to escape. He then reawakens and begins the cycle anew, setting off a twisty logic puzzle tricked out with killer robots, glowing insignia tattoos, and a perpetual-motion machine capable of resetting time. But only within highly specific parameters. It is a Groundhog Day — Primer bastardization full of sound and fury, signifying nothing. It has its fun with the sound and fury, though. Alex Strangelove The Skeleton Twins director Craig Johnson summons the ghost of John Hughes for this sweet if anodyne lark about a high schooler grappling with big questions about his sexual identity. Everyone ends up right where they belong, a millennial happily-ever-after of free tolerance and self-discovery without torment. Whether a viewer finds this a pleasing change of pace from a queer cinema steeped in the tragic or an overly slight sanitizing of an emotionally intense process will be a matter of personal preference. Though anyone can at least see the appeal in a hit of escapism this potent: Bean Boyfriend. Legend of the Jungle To employ an age-old critical parlance: But somewhere in post-production, Serkis must have clicked the wrong buttons, because all of the animals have the disquietingly humanoid faces of an anthropomorphized furry. But because this critic had zero outside knowledge going in, he was largely pleased to find an off-the-wall pre-viz extravaganza of inspired computerized nonsense. Brace for hijinks! Triple Frontier Alas, J. Chandor showed such promise. A crack team of veterans — a lineup of heavyweights including Ben Affleck, Oscar Isaac, Garett Hedlund, Charlie Hunnam, and Pedro Pascal — set a course for South America to nab a fortune in dirty money from a drug lord. Some convenient dovetail-shaped plotting and pushy hot-pursuit sequences only partially obstruct a document of hardship largely unknown in the States. Nikolaj Coster-Waldau mounts a convincing argument for himself as a bona fide movie star with his turn as former corrupt policeman Joe Denton, struggling to stay on the straight and narrow while reentering society following a prison stint. But where those films were well-served by simple, leaner scripts, this one spirals out in its many knots of plot. Odenkirk skillfully navigates through an obstacle course of genres and tones, as his Garden State —ish melancholia mercifully gives way to a noir-inflected mystery that links skinheads, Stacy Keach, a ring of jailhouse murders, and a newly contrived holiday with suitable ridiculousness. El Potro: Like so many other musical-genius biopics, the story of singer Rodrigo Rodrigo Romero takes us through an early period of finding himself, the fast track to FM radio, a giddy plunge into vice, and a premature death. The good news is that the rest of it is smart enough that we can fairly expect more. Four friends, all partners in a business facing some nasty tax-fraud charges, must agree on who among them shall take the fall for the crime. So when a train all but rolls up and begs to be plundered, what are Deirdra and Laney supposed to do? It is, first and foremost, an empathetic film. By now, Adams would be slated for a Marvel movie in and an Oscar nomination by But even though she took the gig in part as a free vacation, both Bell and Grammer refrain from phoning it in, spitting some real vitriol in the screaming matches that punctuate interludes of flatteringly photographed island leisure. The mythos has never been so dense, and while that may come at the expense of palatability for the general public making these releases into hits on American soil, those fluent in this particular dialect of technobabble will be in heaven. The Polka King In , a Polish immigrant by the name of Jan Lewan was arrested for masterminding a Ponzi scheme with receipts that ran into the millions. The bizarre account of his road to that moment lays a strong foundation for this zippy comedy about a lunge at the American dream that ends in a belly flop. Jack Black sinks his incisors into the role of the perpetually upbeat Lewan as an opportunity to do what he does best — namely, a funny voice and rock star-lite strutting during the whirlwind polka numbers. The boxing great fled his home of Mexico after a punch left his opponent down for much more than the count; stunned by his own capacity to do harm, he resolved to live a monastic life of humble pacifism among the Finns. His reluctant emergence from retirement fails to land a blow, but the film takes on a second life as a close examination of emigration and assimilation. Kim signals plans for so much while seeing so little of it through to completion, wantonly picking up subplots and casting them aside before anything can be done with them. Maktub A brush with death has a way of putting the zap on a guy. Partners-in-crime Chuma and Steve Israeli comedy duo Guy Amir and Hanan Savyon resolve to change their gangster ways after pure coincidence leaves them the sole survivors of a terrorist attack at a restaurant, but getting out of the game is never that simple. Their associates, naturally, have other notions. Amir and Savyon get away with their dicier hot-button writing on merit of their well-honed rapport, keeping everyone too busy laughing to tell whether or not the film is blithely problematic. Rajma Chawal Widower Raj the great Hindi cinema idol Rishi Kapoor wants to reconnect to his closed-off son Kabir Anirudh Tanwar , so he does the only rational thing and catfishes the fruit of his loins. Director Leena Yadav has no shortage of rather conventional complications up her sleeve, as the woman Amyra Dastur whose selfie Raj used for his faux-profile shows up and the truth inexorably comes out. Even so, this is what the Bollywood entertainment economy firing on all cylinders looks like: Call it the Yadav touch. Manhunt John Woo, he of the doves and indoor sunglasses and brain-melting gun fu spectaculars, came to Netflix to peddle his latest bullet-strewn dance of death. He brings his usual hyperkinetic style to the pursuit between a fugitive and the monomaniacally driven man on his trail, the action sequences as likely to inspire whiplash as the wild, out-of-nowhere vacillations to comedy and romance. Sometimes even with parental consent! Updating Clueless for the age of normalized vaping, the girls handle the hurdles of boys, parental units, and their inevitable separation with a distinctly modern candor. On a few different occasions, this film actually puts the horniness-money of Blockers where its mouth is. A Futile and Stupid Gesture Having already turned the tired tropes of the summer camp flick and the rom-com inside out, it looked like virtuoso parodist David Wain was set to lay waste to the biopic with his treatment of the life and times of National Lampoon co-founder Doug Kenney Will Forte. Forte plays Kenney as a figure of self-destructive tragedy and Domhnall Gleeson provides the superego to his id as co-founder Henry Beard, but the script forces both men to be stock figures in a hidebound rise-and-fall routine. The film rushes through some tossed-off horse pucky about Triad gangs and an innocent little girl caught in their crossfire, but so quickly and carelessly that the punches eventually lose all meaning, like a physical version of semantic satiation. For those who see the onscreen lancing of guts as a challenge in the same way that leather-mouthed mavericks take on punishing hot sauces, this poses a demanding test of endurance. Lady J Americans love to watch the frocks-and-petticoats set behaving badly, so the same costume-drama fetishists that made The Favourite an unlikely hit may flock to this salacious retelling of an 18th-century French novel from Denis Diderot. Eager to get back at him, Pommeraye enlists the help of a bewitching brothel worker Alice Isaaz to give the Marquis a taste of his own sour medicine, remaking her as the well-bred Lady J. Rarely has sin been so delicious. The horrifying visions that then plague him amount to a sumptuous buffet of terror trigger warning: Director Zak Hilditch puts the text he has through its paces, but a viewer still walks away with that haute cuisine dissatisfaction: It was great and everything, but such small portions! Paddleton Alex Lehmann has managed the impossible, and found a new variant to the fatalist romance of The Fault in Our Stars. According to The New York Times, Felicity Huffman may face months of prison time for her alleged role in the college admissions scandal that rocked. In a statement for People, Kevin Hunter has apologized to his wife Wendy Williams, who filed for divorce from him last week. Lori Loughlin is currently facing legal drama for her alleged part in a wide-reaching college admissions scandal, which led to her longtime home of. It's a tale as old as time: On Instagram, Bella Thorne. Trending Videos. The Strategist is designed to surface the most useful, expert recommendations for things to buy across the vast e-commerce landscape. We update links when possible, but note that deals can expire and all prices are subject to change. Every editorial product is independently selected. Account Profile. Sign Out. Best high-waisted white jeans. Best white jeans that are leggings. AE Ne x t Level Jegging. Best maternity white jeans. Best cropped and flared white jeans. Amo Kick Cropped Flare Jeans. 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The movie formerly known as Eggplant Got some crazy head mature white women does a bang-up job of stretching this thin premise to feature length, throwing obstacles at the characters and mining laughs from the solutions they have to gin up on the fly. In the future metropolis of Grainland creators Kevin R. Her mom Molly Constance Wu spends all her time fiddling with the family bots, leading Mai Su to wander off on an adventure where she becomes acquainted with a one-of-a-kind, state-of-the-art model labeled Her assignment to have him eliminate his mechanical brethren is only the first unexpected move in a series of zags-over-zigs, culminating in poignant scenes featuring the inspired concept of artificial amnesia.

Step Sisters The Bring It On series, the clear antecedent to this dance flick which is, mercifully, far superior to Dance Flickkept considerations of class and race in the mix through its many installments. A supporting performance from Matt McGorry as a semi-self-aware, even more intolerable version of his already intolerable self instantly validates the casting. Calibre The forbidding Scottish highlands provide a spooky backdrop for a back-to-basics horror movie — of sorts.

A pair of click at this page working the classic Got some crazy head mature white women and yang of manliness one rips lines of coke and chases skirt, the other is a dutiful husband to a pregnant wife go out for a hunting holiday in the untamed U.

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Shame runs both men through a wringer of remorse, accentuated by the disconnect between their city manners and the decency of their country-folk hosts. In the opening moments, a scientist wakes up beside his ex-lover.

Masked men storm into their room a moment later, drag them into the basement, demand a https://assjob.e-drinks.work/article-06-03-2020.php payoff, and kill our man when he tries to escape. He then reawakens and begins the cycle anew, setting off a twisty logic puzzle tricked out with killer robots, glowing insignia tattoos, and a perpetual-motion machine capable of resetting time. But only within highly specific parameters.

It is a Groundhog Day — Primer bastardization full of sound and fury, signifying nothing. It has its fun with the sound and fury, Got some crazy head mature white women.

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Alex Strangelove The Skeleton Twins director Craig Johnson summons the ghost of John Hughes for this sweet if anodyne lark about a high schooler grappling with big questions about his sexual identity.

Everyone ends up right where they belong, a millennial happily-ever-after of free tolerance and self-discovery without torment.

Whether a viewer finds this a pleasing change of pace from a queer cinema steeped in the tragic or an overly slight sanitizing of an emotionally intense process will be a matter of personal preference. Though anyone can at least see the appeal in a hit of escapism this potent: Bean Boyfriend.

Legend of the Jungle To employ an age-old critical parlance: But somewhere in post-production, Serkis must have clicked click to see more wrong buttons, because all of the animals have the disquietingly humanoid faces of an anthropomorphized furry.

But because this critic had zero outside knowledge going in, he was largely pleased to find an off-the-wall pre-viz extravaganza of inspired computerized nonsense. Brace for hijinks! Triple Frontier Alas, J. Chandor showed such promise. A crack team of veterans — a lineup of heavyweights including Ben Affleck, Oscar Isaac, Garett Hedlund, Charlie Hunnam, and Pedro Pascal — Got some crazy head mature white women a course for South America to nab a fortune in dirty money from a drug lord.

Some convenient dovetail-shaped plotting and pushy hot-pursuit sequences only partially obstruct a document of hardship largely unknown in the States. Nikolaj Coster-Waldau mounts a convincing argument for himself as a bona fide see more star with his turn as former corrupt policeman Joe Denton, struggling to stay on the straight and narrow while reentering society following a prison stint.

But where those films were well-served by simple, leaner scripts, this one spirals out in its many knots of plot.

Odenkirk skillfully navigates through an obstacle course of genres and tones, as his Garden State —ish melancholia mercifully gives way to a noir-inflected mystery that links skinheads, Stacy Keach, a ring of jailhouse murders, and Got some crazy head mature white women newly contrived holiday with suitable ridiculousness.

El Potro: Like so many other musical-genius biopics, the story of singer Rodrigo Rodrigo Romero takes us through an early period of finding himself, the fast track Got some crazy head mature white women FM radio, a giddy plunge into vice, and a premature death. The good news is that the rest of it is smart enough that we can fairly expect more.

Barack sex Watch Dick ebersol email Video Bangladesh Xxxsex3. I credit this cut-rate French-Canadian co-production with offering the most glimpses into the frustration that comes alongside making a cartoon about the desert adventures of a scorpion and a cobra. Lucid Dream Among the curiously large backlog of East Asian sci-fi projects that Netflix has imported, this does not rank among the more memorable. She then squandered part of that goodwill on limp-noodle biopic Mary Shelley , and now threatens to completely deplete it on this rom-com lacking both volume and a lustrous aesthetic shine. Uptight advertising exec Violet Sanaa Lathan keeps her life as rigorously controlled as her elaborately treated do, but she must forsake the picture-perfect fakery to go natural up top and find herself. Sunanda Usha Jadhav is precisely the sort of character that Chopra and other outspoken advocates for women in the entertainment industry have called for. A lawyer ardently arguing for abused women against their alcoholic husbands, she has a feminist yen for justice at war with an inner turmoil that still haunts her. Take a wild guess at what happened in her past to make her pursue this particular line of work. For a while, the character is more fully-developed than the film around her, until the final twenty minutes take some shall-we-say-unanticipated turns that seriously undercut its progressive messaging. Slightly coercive sex and cuckolding: Revenger The seventh art started going downhill the day that CGI blood was ruled more cost-effective than squib packs and karo syrup. Hopefully, powerhouse star Bruce Khan will find more sure-handed tutelage elsewhere, and soon. The most costly production in Malay film history often feels like an extended recruitment video, showing how PASKAL soldiers save lives and assist the UN in keeping the peace without pushing back against the undercurrent of jingoism. Leader of men Commander Anwar Hairul Azreen entertains the notion that he may not be able to serve his country and his family at the same time, a nagging doubt typical of the war film, but the film settles that with the conclusion that country and family are one and the same. Though the three tactical operations around which the script has been molded are executed with the precision and efficiency expected of the military, the shut-up-and-put-up thinking leaves its topic only half-covered. Nowhere outside Pinterest have canned aphorisms ever carried this much clout. If only it was funnier. On the other hand, there is something slightly risky and revisionist about placing a half-Korean character in a role so historically steeped in whiteness. If nothing else, the specter of Long Duk Dong will have been forever dispelled. From a city-block bombing to a shooting spree at a campground, Greengrass treats discretion like weakness as he shows and shows and shows. Benji The Great Louisiana Tax Break Production Boom has attracted many stars to the oak-lined streets of New Orleans over the past decade, and the latest addition to the list is the hottest star on four legs, wonder dog Benji. The best that can be said for this neutered reboot of the musty mutt franchise is that it makes active use of its surroundings where so many have attempted to obscure them. And yet nu-Benji lacks a certain canine charisma present in his doggy forebears, and weirder still, this film plays up the element of Christian dogma — thank you, thank you — traditionally constrained to the subtextual level. Rebirth The first rule of this anti-corporate psychological thriller is do not talk about Fight Club. Goldberg breaks his pal out of a funk by inviting him to join a new movement of self-actualization he recently discovered, where instead of therapeutically punching the bologna out of one another, members chant creepy affirmations about accessing inner truth. Ugarte slowly comes undone as a nurse capable of communicating via haunted VHS tape with a boy who died 25 years earlier. Paulo has a week-one-freshman grasp on chaos theory, and succeeds only in dumbing the concepts down while falling into the same grandfather paradox facing any time-travel movie. Not even the broad shoulders of Ugarte can carry a film so poorly thought-through. How else to account for the absolute absence of any signs of life whatsoever in each and every performance? As a mother grieving her young son recently nabbed by wolves, Riley Keough never breaks her heart-monitor monotone, and Jeffrey Wright matches her mumble-for-mumble as the nature expert who comes to find the missing boy. A troubled young man Luke Grimes searching for his father pulls a gun and takes five hostages. Director David E. Talbert uses this pressure cooker as a breeding ground for a black comedy of schemers and bumblers, brought to life by a cast seemingly picked at random from a hat. Tim Allen! Jessica Alba! A viewer gets the impression that nobody in this motley troupe was in contact with one another during shooting. The cartoonishly inept lawmen plotting to resolve the situation have a Keystone Kops thing going on, the news team broadcasting the events occupy a more cynical atmosphere, and on the scene indoors, the shooter and his bargaining chips are doing Coen brothers cosplay. Been So Long I am of the steadfast belief that any bad movie can be improved at least slightly with the addition of musical numbers, a principle supported by this adaptation of a London stage smash. Without the occasional ditty to spice things up, this would be a standard-issue guy-meets-gal romance about a single mother trying to get back out there. While the music suffers from Repo! Burning Sands Yet another clone movie, this one retreading the stomach-churning account of hazing gone too far undertaken by Goat the previous year. But instead of tiptoeing around the jocks, prevailing attitudes of mandated prudence mean that our boys must tiptoe around their parents, their nation, and their own guilt. The sword of Damocles finally drops when his partners turn against him, his wife sends a messenger boy to announce her request for a divorce, and his substance-based hobbies threaten to worsen into habits, all on the same Monday. In America, it feels like the Sundance-industrial complex gives us another one of these every couple of years. He casts a bold silhouette as the image of gallantry, oftentimes to disbelief-testing extents. Did he really wait to deflower his teen bride, played by a poorly utilized Florence Pugh, until she was ready to give her consent? Mackenzie wants us to gawp at his lengthy tracking shots and flaming catapult, but the bouquet of loose screw-ups has a way of holding the attention. The resulting uproar destroyed treasured relationships and put him through a great test of faith in line with Christian lore, and director Joshua Marston chooses to relate this with all the dramatic nuance of a Lifetime Original Movie. Not even a sensitive turn as an AIDS-positive organist from the unerring Lakeith Stanfield can earn this film salvation. The Killer And now for something completely different: Diogo Morgado cuts a commanding figure as our man Shaggy, a couple notches closer to feral than the usual gunslinger. The Warning Spanish filmmaker Daniel Calparsoro could have a long career ahead of him in Hollywood, where they crank out ambitious but imperfect conceptual thrillers like this one by the bushel. To work off his debt, Gudio joins the shadowy league of collectors and rapidly learns the ropes of a dishonest yet highly seductive profession where all rules have a bit of wiggle room. Crouching Tiger, Hidden Dragon: The painterly photography has been supplanted by the flatness of prestige TV, and the long, pensive gaps in which viewers were once free to appreciate the rustling of tree branches or distant chiming of bells are now filled with meaningless exposition. Formulaic as his handiwork may be, director Julien Leclerq has his head on straighter than his characters, moving his minute run time at a swift clip with a few Mannly action sequences. A national cinema once limited by censorship and old-fashioned ideas about propriety is now exploring new sexual frontiers, this romantic anthology being a bracingly blunt case in point. Behold, the first onscreen appearance of a vibrator in the history of Indian film! Four separate stories revolve around women in various states of dissatisfaction — carnal, sure, but more frequently emotional. A lot of the comedy errs on the side of the sophomoric, with one randy set piece taking cues from the risible The Ugly Truth , but what this effort represents still counts for quite a bit. Imperial Dreams A curious specimen, this film was made and released in two dramatically different worlds. When the picture first premiered at Sundance in , John Boyega was another handsome young Brit with a lot of promise and a stare capable of cutting metal. By the time Netflix unveiled it in , he was an A-lister with a leading role in the biggest blockbuster franchise on the planet. The Angel By , tensions along the Egyptian-Israeli border had escalated to powder-keg levels, and a violent engagement was all but imminent. This true-to-life thriller contemplates the answer and settles somewhere between the two in a conflicted character study that resists simple heroism. If only director Ariel Vromen had put a little more oomph in the scenes where things happen and sunk less time into scenes in which people talk about things happening. What could have been an amoral romp in the vein of American Made lands in a more subdued, inert mode, never quite reveling in its own misdeeds. Solo Alright, cards on the table, Netflix. Two days later, this Spanish tribute to real-life perseverance popped up under a nearly-identical title. The retelling of one Irish U. That results in a weird dissonance, where the film works as a discrete whole but fails on a scene-by-scene basis. The ensuing dash to get the sinewy hellion back in his container drably shuffles through its action sequences and has a, shall we say, utilitarian relationship to language. Tallulah Former Orange Is the New Black writer Sian Heder tries her hand behind the camera for this study in contrasts about three women all chafing under the demands of motherhood in their own way. In the title role, Ellen Page is a street urchin feeling lost after her good-for-nothing boyfriend abandons her, but finds new meaning in life when fate puts a helpless infant in her custody. Well-measured restraint improves the acting across the board, which in turn keeps this film away from the treacly sentiment that occasionally rears its weepy head. Janney takes it in a walk, naturally. Targarona has a perceptible admiration for Boix and the bravery required to surreptitiously document some of the most heinous crimes against humanity that history has ever seen. Targarona, a veteran of the Spanish film industry, has earned the right to have a little more faith in herself. The Titan Sam Worthington is one of those actors whose blank expression and generically handsome features make him the perfect candidate to portray a robot. See also: Emily Ratajkowski, Jamie Dornan. Forestalling the inevitable, this sci-fi thought exercise gets near the mark by casting Worthington as something other than human — in this case, the next stage in evolution. The film lacks focus, however, glancing past a number of thoughtful paths in an effort to simultaneously take all of them. Pickpockets Those small-time hoodlums rationalizing theft as a victimless crime often tend to not realize that after long enough, they will become the real victims. A sense of coiled-spring energy and an emphasis on the fascinating nuts and bolts of ripping strangers off can make a hundred-dollar job feel as exciting as a bank heist, both for us and the purloiners onscreen, who steal for the sheer rush as much as the money. Director Peter Webber is never better than when exalting in the kinetic glory of petty larceny, his camera as weightless and carefree as its subjects, but the need to impose an arc on their lifestyle mucks up the merrymaking. The arrival of an elder mentor in misdemeanors steers the younger leads to betrayal, jealousy, and internal conflict, all of which makes for adequate drama at the price of the poetry-in-motion exhilaration of their earlier cooperation. Emmet Walsh could be altogether bad. Still, the script arrives at the same inevitable endpoint as any other movie about someone avenging a loved one. You know the old saying — before you embark upon a journey of revenge, dig two graves. The hole acts as a statement bangle for the film, a pop of difference standing out from the sameness. Terron leaves his fellow middle schoolers in the dust on the basketball court, and before long, a coach Josh Charles from an elite private academy headhunts him for their team. Koo misses the three, but sinks the layup. The rest of the movie writes itself: He gives a much better showing than the rest of the movie deserves, the room-temperature casserole of saccharine little-kid antics and uncanny-valley-plumbing CGI elves that it is. The Italian case of Stefano Cucchi, dramatized in this work of righteous outrage by Alessio Cremonini, sounds all too familiar: After getting apprehended by the feared martial peacekeeping force known as the Carabinieri on a minor drug-possession charge and held in custody, the young infrastructure worker was winnowed down to a malnourished husk of himself, beaten, and ultimately killed. I sincerely wish the best of luck to open-minded viewers making heads or tails of this, but anyone put off by obtuseness may wind up wanting their minutes back. Steel Rain Japanese anxiety over the devastation of the atomic bomb gave us Godzilla, and now the ongoing nuclear tensions between North and South Korea have yielded this jittery, paranoid missile thriller. The Discovery In the vast gulf between conception and execution, we have this down-tempo thought experiment from Charlie McDowell. In a world where Robert Redford has conclusively proven the existence of an idyllic afterlife, the suicide rate has mushroomed. Jason Segel and Rooney Mara are strangers with a mysterious attraction and conflicting opinions about what to do with this frightening new frontier. Director Anne Fletcher and screenwriter Kristin Hahn placed themselves in an advantageous position by building their adaptation of a YA smash around the music and philosophy of Her Dollyness, an idol to plus-size Willowdean Danielle MacDonald. She wants to teach her negligent mother Jennifer Aniston, bringing it a lesson by winning the beauty pageant that occupies her every waking moment, and the baldly stated moral of body acceptance is all well and good. The Laws of Thermodynamics Screenwriters are always trying to impose reason on the thorny tangle of contradictions that is love, but Spanish genre tinkerer Mateo Gil does so with more studied rigor. His script proposes that the laws of physics governing the chaotic movement of subatomic particles and the delicate space-time continuum can also be applied to the bonds between people. Gil brings a zingy, Gondry-esque energy to his experiment in bridging the gap between the mind and the soul, but his characters nonetheless possess all the pathos of a textbook word problem. In this daft laugher from across the pond, Julian Barratt plays the washed-up Thorncroft in the present day, as he shills his way through middle-age in humbling commercial spots. He gets a shot at redemption when a homicidal maniac demands the police put him in contact with the real Mindhorn, and much to the displeasure of his real-cop partners, Thorncroft gets back into character. Barry Barack Obama is the coolest commander-in-chief to have ever graced the Oval Office — this is fact. Remember back when those were qualities the president had? A Kickstarter campaign to drum up a budget outlined a daring plan to shoot guerrilla-style inside of real moments as they unfold: This two-hander drama is situated at the inevitable point where sickness bleeds over into the more meaningfully personal — friends, romantic relationships, family. Over the course of one evening, grueling even at a brief 71 minutes, she goes from tough-love counselor to enabler as she helps Seth score to keep him from dying of withdrawal. Both Jacobson and Franco are up to the task, never coming off as tourists in the genre like so many comedic actors stretching their range, and the ending is a lot darker than they play it. All the more frustrating, then, that the script would hamstring their work with such missteps as easy symbolism, voice-over overload, and crucial lines that ring false. Anyone over the age of 60 will most likely be charmed by this softly told romance between seniors-who-still-got-it Robert Redford and Jane Fonda, but everyone can share in the warmth this sweet-natured, if mild, film radiates. Adult children Judy Greer and Matthias Schoenaerts bring trouble into their geriatric Eden, but the prevailing tone is that of comfort. Even so, he still needs to formulate a sense of artistic self in terms of both originality and control before he can join the ranks of the proud troublemakers he so clearly idolizes. The Package For a movie about a kid who cuts his own dick off while drinking and camping, it could be a lot worse! Not a high bar to clear, admittedly, but Geraldine Viswanathan makes it look easy. Brassy and quick with a cutting aside, the Blockers scene-stealer acts circles around the rest of the cast particularly lead Daniel Doheny, as forgettably handsome here as in Alex Strangelove as they go on a mad dash through the woods to return the recovered member to its owner after their pal gets airlifted to the nearest hospital. The movie formerly known as Eggplant Emoji does a bang-up job of stretching this thin premise to feature length, throwing obstacles at the characters and mining laughs from the solutions they have to gin up on the fly. In the future metropolis of Grainland creators Kevin R. Her mom Molly Constance Wu spends all her time fiddling with the family bots, leading Mai Su to wander off on an adventure where she becomes acquainted with a one-of-a-kind, state-of-the-art model labeled Her assignment to have him eliminate his mechanical brethren is only the first unexpected move in a series of zags-over-zigs, culminating in poignant scenes featuring the inspired concept of artificial amnesia. Step Sisters The Bring It On series, the clear antecedent to this dance flick which is, mercifully, far superior to Dance Flick , kept considerations of class and race in the mix through its many installments. Share or comment on this article: White woman who hurled racist abuse at two black women is fired from her job e-mail 50k. More top stories. Bing Site Web Enter search term: Charlize Theron: My child I thought was a boy is Dancer beams as he meets fans How you can dress your whole brood on a budget, whatever the occasion Ad Feature Rachel Riley dragged into furious Twitter row with Coronation Street's Nicola Thorp over female genital mutilation Twitter spat Emily Ratajkowski's secret to the perfect topless selfie revealed: Kim Kardashian and her sisters proudly open the Robert G. Kardashian center for esophageal health Viewers left in tears as Billie cries during visit to a children's hospice Princess Beatrice shows she's just like us as she's spotted picking up groceries in Marks and Spencer Kodak Black cancels Wednesday night show in Boston for undisclosed reasons as rapper's location remains unknown Mysterious Lovely to bump into you! Tinsley Mortimer breaks down in tears as she cries over late alcoholic father and relationship Emotional Madonna, 60, transforms into a cigar-smoking bride for new single Medellin with singer Maluma Strictly star awkwardly swerves Stacey Dooley questions after her ex revealed former dance partners are in a relationship Kristin Cavallari steps out in New York City in two outfits Joel Edgerton holds hands with his fashionista girlfriend Christine Centenera as they go sightseeing in Dublin Ivanka reveals her seven-year-old daughter Arabella used the nanny's phone to ask Siri how many people her grandfather had saved from prison Victoria's Secret model Kelly Gale flashes underboob as she wears ANOTHER bikini to Coachella Jussie Smollett relaxes on Hawaii vacation with a suspicious looking cigarette as the texts sent by meddling Chicago prosecutor Kim Foxx to get his case dropped are revealed Coleen Rooney looks radiant as she joins sons Kai and Klay for a wholesome snap Prince travelling to Germany on May 6 - after remaining in the UK for the births of grandchildren Game Of Thrones star Nikolaj Coster-Waldau admits wife and children were 'uncomfortable' watchingincest scenes Jamie Foxx strikes a pose, sings and delivers spot-on celebrity impressions in his QVC debut, stealing the show as he sells his trendy, affordable sunglasses Beyonce's daughter Blue Ivy, 7, sings on Homecoming: The Live Album Today's headlines Most Read Charlize Theron: For the first time, the Hollywood actress These slim, high-waisted AG jeans are cool and comfortable, and the slightly flared ankle crop is the perfect canvas for showing off a fresh pair of sneakers. They suck everything in and hit right in the smallest part of your waist. I plan to wear them every single day this spring with a tucked-in T-shirt and shiny black penny loafers. The material is stretchy, and the panels comfortably stretch around my hips without falling down. I like the classic, vintage feel of these, down to the cast buttons. They are stylish and comfortable, and the frayed crop bottoms are a bonus. I especially love the ones by Target actually. They have a bit of stretch, which makes them a little more forgiving, and I like that they end just above my ankle, which helps make the legs look longer. My husband, David, tells me they are surprisingly sexy. You want to be sucked in when sporting white denim, which tends to showcase the slightest imperfection. I love this pair because it has just the right amount of distressing. I wear them with everything, from put-together Ralph Lauren oxfords to trendy Caroline Constas blouses. They have just enough stretch to be comfortable and supportive without being restrictive or so stretchy that they lose shape easily. The frayed detail at the bottom is so cute with patent-leather booties in the winter or with slides in the summer. Some are comedians you already love, yet maybe you had no idea they actually got their start in comedy on a lonely stage with a mic. They tackle issues from navigating online dating to dealing with politicians who are constantly spouting anti-women rhetoric. So use this list as a jumping off point for discovering new shows to see and comedy albums to listen to. Stand-up is still dominated by men, but you could be part of the wave of fans that take these female comics to the next level of fame. On the March 31 edition of. Jenner may be ready to bury the..

Four friends, all partners in a business facing some nasty tax-fraud charges, must agree on who among them shall take the fall for the crime. So when a train all but rolls up and begs to be plundered, what are Deirdra and Laney supposed to do?

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It is, first and foremost, an empathetic film. By now, Adams would be slated for a Marvel movie in and an Oscar nomination by But even though she took the gig in part as a free vacation, both Bell and Grammer refrain from phoning it in, spitting some real vitriol in the screaming matches that punctuate interludes of flatteringly photographed island leisure.

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The mythos has never been so dense, and while that may come at the expense of palatability for the general public making these releases into hits on American soil, those fluent Got some crazy head mature white women this particular dialect of technobabble will be in heaven. The Polka King Ina Polish immigrant by the name of Jan Lewan was arrested for masterminding a Ponzi scheme with receipts that ran into the millions. The source account of his road to that moment lays a strong foundation for this zippy comedy about a lunge at the American dream that ends in a belly flop.

Jack Black sinks his incisors into the role of the perpetually upbeat Lewan as an opportunity to do what he does best — namely, a funny voice and rock star-lite strutting during the whirlwind polka numbers. Click here boxing great fled his home of Mexico Got some crazy head mature white women a punch left his opponent down for much more than the count; stunned by his own capacity to do harm, he resolved to live a monastic life of humble pacifism among the Finns.

His reluctant emergence from retirement fails to land a blow, but the film takes on a second life as a close examination of emigration and assimilation. Kim signals plans for so much while seeing so little of it through to completion, wantonly picking up subplots and casting them aside before anything can be done with them.

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Xxxivoe 201 Watch Texas bisexual females Video Sexye sex. Though he only wrote the script, some of the Duplassian glibness endemic to his directorial projects seeps through. The Legacy of a Whitetail Deer Hunter From psycho mall cops to deluded martial arts instructors, director Jody Hill has an unending fascination with men imprisoned by their own fragile masculinity. Hill fans may be disappointed to find that his latest feature lacks the maniacal edge of Observe and Report and his small-screen work, but neophytes may appreciate the down-the-middle palatability in the father-son bond. He played in this dramatization by Antonio de la Torre and eight other guerrillas known as the Tupamaros lived for over a decade in abject captivity, holding fast to their tenets even as they were used as bargaining chips in the conflict raging outside. You know, like Paradox. In the memoir of William Kamkwamba, a resourceful Malawian boy who saved his drought-stricken village with a water pump of his own amateur engineering, he found a worthy story and underlying cause. Gun City The title refers to Barcelona during the s, a period of social turbulence on several fronts: Dani de la Torre spreads his Spanish-language crime epic across this Catalonian fracas, with veteran-turned-cop Uriarte Luis Tosar on one side and corrupt officials, mercenaries, gangsters, and ill-tempered pornographers on the other. The reported budget of five million euros shows in the production design that dwarfs the opulence of your average prestige streaming series. A broken-down Ben Mendelsohn slips into the role of Anders Hill, a man taking a shot at reinvention. Netflix has done a lot to foster a global awareness of international film, case in point being this Nigerian selection opening up a perfect point of entry to Nollywood cinema for the not-so-well-versed. But Nnaji stays mindful of the social currents and customs specific to her home, and uses them to construct an identity all her own, both as a sui generis filmmaker — her humor is ebullient, but grounded — and as a representative of her national cinema on the world stage. Accomplishing a good deal with very little — keep your buckets of blood, monsters, and jump scares, thanks — Perkins conjures fear from thin air. Be forewarned, however: Your Son First things first: Distinguished surgeon Jaime Jose Coronado, a more tacit, brutal stand-in for Liam Neeson loses it when his son Marcos Pol Monen gets beaten to smithereens outside a club, and vows to bring the hurt to those behind the attack. Who could watch the slow, pitiless death of a police horse and not feel its pain? There must have been 50 ways to go awry when adapting this popular manga series for a feature film; losing basic coherence while condensing ten volumes of writing into a minute package, sacrificing the essence of the art by making kinetic what was once stationary, hiring annoying voice actors. Director Hiroyuki Seshita does the Charleston around these many pitfalls, safely emerging on the other side with a beautiful dark twisted cyberpunk fantasy. Skittering android-spider abominations and hyperspeed gun-toting rebels populate this desolate post-industrial hellscape, where a band of rebels must beat back the advance of an approaching death-bot storytelling often takes a way back seat to immersive set dressing with a mix of futuristic weaponry and courage. A bit typical in its band-of-heroes narrative, but never in the stylistic means employed to tell it. Us and Them The chunyun period refers to the days of unusually high-density travel in China surrounding the Lunar New Year, where circumstances squeeze strangers up against one another in quarters too close for comfort. Not quite the case for Jianqing and Xiaoxiao Jing Boran and Zhou Dongyu, respectively , who hit it off during this mad dash and begin a decade-long love affair. This soapy drama retells the story of their relationship through a series of flashbacks interwoven with visions of their joyless post-breakup present, riding the ecstatic highs of infatuation and the bleak lows of a drag-down fight. While the dialogue used to express this trajectory often leans to the trite, the outsized extremes of feeling — full-body sobs, declarations of undying devotion — shine through undeterred. His first and best was tapping macho man Frank Grillo for the lead, a getaway driver taken hostage via phone and forced to run a series of increasingly hazardous jobs during one unending night. Our man Seok-heon Ryu Seung-ryong is more of a Paul Blart than a Bruce Wayne, lacking in playboy billionaire status, a rippling physique, and even a sound moral code. Not everything has to be the end of the universe. Mascots Ten years after his last foray into long-form mockumentary, Christopher Guest returns to his wheelhouse with another inspection of a peculiar subculture as likely to induce squirms of discomfort as laughter. He and a colorful coterie of artists, buyers, and curators Toni Collette in a chopped wig, John Malkovich as an embittered Jeff Koons avatar, Daveed Diggs as the nouveau-Basquiat taking his place duel via posturing and bons mots full of hot air in what should be a hoot. Perhaps Morf himself would find it ever so droll that a movie about people obsessed with exteriors has little going on beneath the outermost shell. Following the examples of Edgar Wright and the Wachowski sisters, Sato has synthesized everything fun about manga, Western superhero comics, and video games into one gratuitous-in-the-best-way package. Time Share The gnarled heart of capitalism beats somewhere inside the timeshares-for-sale industry, a tarnished business that simultaneously strips the self-respect from both the pitchman and the customer. The CGI flamingo, former Breaking Bad star RJ Mitte as the knowingly generic face of Everfields, the potato sack race that triggers a complete existential vortex of hopelessness — it all fits right in with a shiny twilight zone of prefab relaxation. Layla M. From the Netherlands comes this politically minded character piece about a young woman Nora El Koussour chafing under Islamophobia while living among the Dutch, and how that tension drives her to radical extremes. Lending her fellow woman an empathetic ear, director Mijke de Jong organically contrasts these two strains of oppression to expose the difficulty that women of color have in finding a place of their own wedged between white and male violence. He decides to take a wife to assuage some of the self-imposed loneliness, though the union they form more closely resembles animalistic pack mentality than matrimony. While not the most instantly pleasurable sit, this modern silent film succeeds where The Light Between Oceans most recently failed, linking the birth of a family unit to something deeper and older than its composite members. Macon Blair works from a decidedly Coen-esque template in his directorial debut, but invests enough of his own idiosyncrasies into the story of two oddballs a fed-up Melanie Lynskey and slightly unhinged, nunchuck-brandishing Elijah Wood on the ineptly charted warpath for this to feel like a beast all its own. A couple retreats to a secluded cabin, hoping to give their flagging marriage a shot in the arm with a sexy weekend excursion. But when he handcuffs her to the bed and promptly dies of a heart attack, she has to draw on all her ingenuity and confront some personal demons to take one last grasp at life. The Hours comparison is hard not to make, though Stephen King wrote the novel on which this is based long beforehand. Maybe Hollywood was waiting for two actors as game as Carla Gugino and Bruce Greenwood, put through their paces and then some in a hallucinatory night of the soul that dislodges some dark repressed memories and reorients their present. At least for performers, this all-in two-hander is worthy of study like Scripture. Cargo Directors Ben Howling and Yolanda Ramke have done their zombie homework, drawing smartly from a long cinematic heritage while introducing a sufficient number of new innovations to distinguish themselves from their flesh-hungry forebears. Sand Storm Hormones a-raging, a girl crushes hard on a boy and they strike up a secret relationship away from the disapproving eye of her traditionalist father. That San Lian must sign off on the document before Jay receives one thin Taiwanese dime is the catch on which this medley of mixed-up feelings hinges. In the lacuna between what we know we should feel and what we actually feel, directors Hsu Mag and Hsu Chih-yen find a great big reason-impervious mess. Their smartest move? Refraining from imposing order. Before I Wake Images lodge themselves in our memories during the tender developmental years, twisting and warping and growing in size to ghastly proportions as they lurk in the subconscious. This bedtime-story chiller from Mike Flanagan demonstrates a deeper understanding of this concept than most horror films fishing in the shallow waters of pop-psych. A well-meaning couple Tom Jane and Kate Bosworth take in an adorable 8-year-old foster son Jacob Tremblay after their child drowns in the bathtub. He plays a touchy professor whose marriage gets a shot in the arm when a literary celebrity Andrew Buckland, exuding a lust for life comes to town and riles everything — and everyone — up. Bourgeois pretension and middle-aged fretting over virility follows as Lediga picks apart a man torn between his solidarity with a people in poverty and the comfortable existence of an academic. While not all that quotable, the one-liners still work as the mortar holding this grown-up movie about grown-ups together. Reubens tosses in more winks to the kitsch-heads than ever, peaking with an interlude in which Pee-Wee crosses paths with a girl gang right out of Faster, Pussycat! A pair of slacker actors both named Thomas Thomas Blanchard and Thomas Scimeca make a trek to the icy expanses of the Inuit village Kullorsuaq, where the indigenous residents welcome them with open arms. Instead of treating the hospitality as an invitation to get their Eat Pray Love on, Thomas and Thomas have the presence of mind to shut up and do more listening than talking. The Breaker Upperers Do you want out of your relationship? Are you hesitant to cause pain to someone you still are about? Alternately, is your fundamental cowardice preventing you from having the difficult conversation? Discord arises when Mel starts thinking a little too hard about the ethical grey area between the two aforementioned rationales, while Jen remains fully focused on their work and the total lack of attachment it requires. A rare never-been done concept, along with a comfort between the two leads that only comes from years of close comic collaboration, instill the same revelatory glow that emanated from fellow New Zealand export What We Do in the Shadows. And look at that — executive produced by Taika Waititi. Beasts of No Nation Netflix started strong with their first release, a muscular and intense coming-of-age narrative that doubles as a uniquely brutal war film. Though Idris Elba was the presumed award horse for his layered turn as an African warlord snubbed by the Oscars in the year that precipitated the OscarsSoWhite pushback , newcomer Abraham Attah racked up the most hardware for his harrowing lead performance. Films like this were supposed to be the norm — instead, they ended up the glaring exception. Otherwise, Osborne plays it smart if a bit safe and sticks with the source material, relaying all the pocket profundities about compassion for our fellow homo sapiens and the unstoppable passage of time. Danny and Elle Callum Turner and Grace Van Patten, the latter the clear standout first cross paths as accomplices on a cut-and-dried bag-drop-off job with a big payout. Wealthy, content Anabel Susi Sanchez starts to fall through the cracks in her seemingly ideal life when Chiara Barbara Lennie appears during a dinner party and claims to be the daughter she abandoned at the ripe age of eight. They follow strange and inexplicable patterns, gathering and obsessively placing household objects in towering stacks that they then worship when not gnawing the flesh off of shinbones. Filmmaker Robin Aubert has stated that he conceived their behavior and spread as an allegory for the stormy political climate of rural French-Canada, defined by cultural vacuity and separatist dissent. As a Canadian New Wave gains momentum, Aubert does right by his countrymen with an auto-critical polemic that succeeds on the terms of its sensationalist genre as well. She shows admirable self-awareness in her treatment of these shattering events, refusing to shy away from the most grueling details while steering clear of exploitation. It soldiers on, survives, and leaves us the pain. Mudbound Behold, the rare example of the film industry functioning properly as a meritocracy. Replicating the narrative structure of the source text, Rees freely drifts between voice-overs from six different characters. The story spans years and traffics in huge swells of emotion that never spill over into melodrama, not to mention the stunning visual set pieces in the World War II passages. The sizable ensemble interlocks perfectly, with special considerations to Mary J. Blige as a long-suffering matriarch and Garrett Hedlund as a shell-shocked veteran, but Rees is the real star of the show. This is the coronation of a vital new voice in American filmmaking. Apostle This turn-of-the-century period piece from Gareth Evans, that maestro of martial arts mayhem, spends about an hour on dialed-back cult horror in the same sect as the fanatics from The Wicker Man. Then, as soon as he can sense the audience getting nice and comfy in this particular subgenre, Evans pops open a trap door and sends the viewer tumbling down a chute that spits them out in hostile, exotic territory. Several skin-shredding set pieces later, much has been divulged and little clarified, with Thomas launched into a torrent of torture and mysticism that bewilders as frequently as it dazzles. Evans charges a high price of admission to his plane of untethered lunacy, but intrepid viewers simpatico to his bloody maximalism will attain enlightenment. On Body and Soul At a dreary workplace, an office crush can get you through the day. At night, they meet in dreams as a buck and a deer, neither fully aware of what this surreal communion means. Set It Up Could it be true? The most generously enjoyable romcom of the past decade is hiding on Netflix? The Kindergarten Teacher Fiction favors the arc: This adaptation of an acclaimed Israeli film does the opposite, submitting a character who defiantly resists change and instead altering how the audience sees her. Continuously readjusting assumptions about Lisa can spur introspection in the viewer, and correspondingly readjust our assumptions about white saviors, imperiled kids and self-interest vs. Divines French-Moroccan first-timer Houda Benyamina only needed to scale her family tree to find a magnetic leading actress, tapping younger sister Oulaya Amamra for the reckless, hungry hooligan Dounia. Shirkers Singapore, This Shirkers is the story of that Shirkers , the only print of which was stolen by Cardona and not to be seen again for twenty years. Tan used the recovered footage to create an expressionistic making-of documentary that simultaneously succeeds in so many separate and yet interrelated pursuits. In this instance, he puts his eye to good use on a crime comedy in which knowing glorification of the Scarface lifestyle alluded to by the title is very much the point. After a lifetime of getting underestimated and ignored by his esteemed sculptor dad Dustin Hoffman , Sandler and half-siblings portrayed by Elizabeth Marvel an office drone for Xerox and Ben Stiller a successful business manager out in L. They laugh and fight and eke out a grain of self-actualization by the end credits, survivors of an oppressive household regime built on passive-aggression and guilt. The social and psychological costs of her effort to engineer a late-in-life new beginning, however, total out to a much higher sum. Manana communicates with her husband and children on the specialized, nonverbal frequency that families develop over time, and with a little distance, she realizes that they all wrestle with their own struggles. Happy as Lazzaro In Spanish class, we learned about Lazarillo de Tormes, a quick-witted peasant of picaresco literature who was always tripping into some allegorically significant mischief. That mellow positivity is defining trait of the wan Lazzaro Adriano Tardiolo , getting him through a hopeless sharecropping grind that falls away around a pivotal midpoint. In a time outside of time, in a place made ethereal through grainy 16mm photography, Lazzaro glides past injustice and atrocity with a serenity we would all do well to emulate. Private Life Tamara Jenkins does all that she does perceptively. Paul Giamatti and Kathryn Hahn have accordingly classified Richard and Rachel as a precise species of overeducated metropolitan intelligentsia, wry literate types unable to ignore all the bleak humor of their Sisyphean struggle to conceive. An acutely unromantic masturbation session at the fertility clinic is sterile, uncomfortable, and side-splitting. Bolstered by highbrow minute detail, the distraught campaign to have a child pokes at human frailties by equating the ability to create life with what it means to be a person at all. Liberal sensibilities, as Jenkins ultimately rules, cannot overwrite biology. The Ballad of Buster Scruggs Though this Western anthology was initially announced as a miniseries, the Coen brothers are now adamant that it was always meant to be a single entity and never broken into discrete parts. Six sepia-toned snatches of goings-on beyond the Mississippi their first picture shot digitally looks mighty purty! In the most satisfying reappropriation of establishment funds since Snowpiercer , Bong pulled off an E. And for doing it all with complete unknown Yalitza Aparicio in the lead, playing housekeeper Cleo as a figure of resilience and humility. Like, an entire feature-length movie. Directed by Orson Welles. Is this real life? Already a subscriber? Log in or link your magazine subscription. Account Profile. Sign Out. Which Netflix original movies are worth streaming? Most Viewed Stories. Promoted links by Taboola. More Stories. Frame Le High Flare Jeans. Best plus-size white jeans. Best raw-edge white jeans. Best white jeans that are actually ivory. Khaite Benny Crop Flare Jeans. Best wide-leg but tapered white jeans. Madewell Tapered Wide-Leg Jeans. Best straight-leg white jeans. Best heavyweight white jeans with a very high waist. Best mid-rise white jeans. Industry Standard Odette Midrise Skinny. Read Article. Westerlind Venise Rain Boots. Princeps Shift Dress. Some dominate Twitter in between gigs. Some have found fame as TV stars who still fit in a set or two on the side. Some are comedians you already love, yet maybe you had no idea they actually got their start in comedy on a lonely stage with a mic. They tackle issues from navigating online dating to dealing with politicians who are constantly spouting anti-women rhetoric. So use this list as a jumping off point for discovering new shows to see and comedy albums to listen to. Stand-up is still dominated by men, but you could be part of the wave of fans that take these female comics to the next level of fame. She now faces criminal charges for communicating threats and her employer, Spectrum, confirmed that her contract has now been terminated. Susan Westwood left is facing charges of communicating threats and simple assault against sisters Leisa and her sister Chele Garris 2nd left and right on October Chele Garris, one of the women who was verbally attacked along with her sister Leisa, posted a series of videos of the incident to Facebook. In an accompanying post she wrote:. In the video, Susan Westwood engages the other women for no apparent reason. The sisters were aggressively confronted by Westwood after they politely asked her to leave them alone. At one point one of them told her: One of the women is heard in the video calling and saying: She became more animated when she noticed the women recording her racist tirade. She proceed to shout in one of the women's faces before they went upstairs to their apartment. After the two women walk away and one of them calls to report harassment, Westwood yells at them from a distance: This is North Carolina by the way'. Leisa left and Chele Garris right said they are distraught over the incident on October Leisa left and Chele right said they never encountered trouble at the complex where Chele lives. In a shared statement, the sisters added: The incident happened over more than five minutes as the sisters waited by their vehicle in an apartment complex parking lot for AAA car service, video shows. By Saturday, the video was viewed on various social media sites nearly 1 million times. The pair said the videos showing the incident and tagging several social media outlets to expose acts of racism. The Charlotte Observer reported that Police on Saturday would not identify the woman who is accused of both assault and making threats. The video is the latest encounter captured with cell phone cameras that show white people across the United States bullying and threatening black people and other minorities. In Brooklyn, New York, a white woman told police that a 9-year-old boy sexually assaulted her, but video surveillance showed the boy accidentally brushing past her while walking in a deli..

Partners-in-crime Chuma and Steve Israeli comedy duo Guy Amir and Hanan Here resolve to change their gangster ways after pure coincidence leaves them the sole survivors of a terrorist attack at a restaurant, learn more here getting out of the game is never that simple.

Their associates, naturally, have other notions. Amir and Savyon get away with their dicier hot-button writing on merit of their well-honed rapport, keeping everyone too busy laughing to tell whether or not the film is blithely problematic.

Rajma Chawal Widower Raj the great Hindi cinema idol Rishi Kapoor wants to reconnect to his closed-off son Kabir Anirudh Tanwarso he does the only rational thing and catfishes the fruit of his loins.

Director Leena Yadav has no shortage of rather conventional complications up her sleeve, as the woman Amyra Dastur whose selfie Raj used for his faux-profile shows up and the truth inexorably comes out. Even so, this is what the Bollywood entertainment economy firing on all cylinders looks like: Call it the Yadav touch. Manhunt John Woo, he of the doves and indoor sunglasses and brain-melting gun fu spectaculars, Got some crazy head mature white women to Netflix to peddle his latest bullet-strewn dance of death.

He brings his usual hyperkinetic style to the pursuit between a fugitive and the monomaniacally driven man on his trail, the action sequences as likely to inspire whiplash as the wild, out-of-nowhere vacillations to comedy and romance. Sometimes even with parental consent! Updating Clueless for the age of normalized vaping, the girls handle the hurdles of boys, parental units, and their inevitable separation with a distinctly modern candor.

On a few different occasions, this Got some crazy head mature white women actually puts the horniness-money of Blockers where its mouth is.

A Futile and Stupid Gesture Having already turned the tired tropes of the summer camp flick and the rom-com inside out, it looked like virtuoso parodist David Wain was set to lay waste to the biopic with Got some crazy head mature white women treatment of the life and times of National Lampoon co-founder Doug Kenney Will Forte.

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Forte plays Kenney as a figure of self-destructive tragedy and Domhnall Gleeson provides the superego to his id as co-founder Henry Beard, but the script forces both men to be stock figures in a hidebound rise-and-fall routine. The film rushes through some tossed-off horse pucky about Triad gangs and an innocent little girl caught in their crossfire, but so quickly and carelessly that the punches eventually lose all meaning, like a physical version of semantic satiation.

For those who see the onscreen lancing of guts as a challenge in the same way that leather-mouthed mavericks take on punishing hot Got some crazy head mature white women, this poses a demanding test of endurance.

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Lady J Americans love to watch the frocks-and-petticoats set behaving badly, so the same costume-drama fetishists that made The Favourite an unlikely hit may flock to this salacious retelling of an 18th-century French novel from Denis Diderot. Eager to get back at him, Pommeraye enlists the help of a bewitching brothel worker Alice Isaaz to give the Marquis a taste of his own sour medicine, remaking her as the well-bred Lady J. Rarely has sin been so delicious.

The horrifying visions that then plague Got some crazy head mature white women amount to a sumptuous buffet of terror trigger warning: Director Zak Hilditch puts the text he has through its paces, but a viewer still walks away with that haute cuisine dissatisfaction: It was great and everything, but such small portions!

Paddleton Alex Lehmann has managed the impossible, and found a new variant to the fatalist romance of The Fault in Our Stars. The men may not smooch or anything, but because the kindred loners only feel fully understood by one another, they need each other as Got some crazy head mature white women as any husband needs their wife. Though he only wrote the script, some of the Duplassian glibness endemic to his directorial projects seeps through. The Legacy of a Whitetail Deer Hunter From psycho mall cops to deluded martial arts instructors, director Jody Hill has an unending fascination with men imprisoned by their own fragile masculinity.

Got some crazy head mature white women fans may be disappointed to find that his latest feature lacks the click edge of Observe and Report and his small-screen work, but neophytes may appreciate the down-the-middle palatability in the father-son bond.

He played in this dramatization by Antonio de la Torre and eight other guerrillas known as the Tupamaros lived for over a decade in abject captivity, holding fast to their tenets even as they were used as bargaining chips in the conflict raging outside. You know, like Paradox.

Tinkerbell nude Watch Korean pussy lips Video Cumshot pegging. Climate protesters vow to bring Heathrow to its knees on Good Friday The Cotswold Conspirators: How four key players in the Extinction Rebellion eco-mob plotted chaos in London Prince Charles calls for an end to knife crime in his Easter message, saying anyone who commits 'such brutal Chilling call The great hot cross bun taste test! British teacher couple killed in ft ravine plunge on Santorini 'died when they accidentally Two British people DIE after receiving yellow fever vaccines as health chiefs urge doctors to use extreme Coroner warns parents against sleeping with their babies after a six-day-old boy died in his father's arms How page after page is covered with redactions covering WikiLeaks, Manafort and Special Counsel's blockbuster findings on Russian collusion in the White House fightback begins: Trump denies reacting to Russia probe by saying 'this is the end of my Headteacher, 44, is struck off for failing to protect Shanay, seven, who was tortured to death by her She's put bent mafia judges behind bars in Chicago and now the new Serious Fraud Pippa Middleton takes baby Arthur swimming to make sure he sleeps well and gets Photo that puts our holidaying MPs to shame: Couple who had been married for 54 years labelled their belongings with who should get them before killing Crusaders married local women, had families and their sons fell in battle as they tried to reclaim the Holy Heartbreaking pictures show man digging a grave for his dog while the pet watched - before vet changed his Father shares daughter's charming letter to Lego magazine where she asks for 'more girls please' after If you buy something through our links, New York may earn an affiliate commission. Only between Memorial Day and Labor Day, or unwearable for anyone who commutes on the subway. We talked to 15 stylish women of all shapes and sizes who are highly opinionated about their white jeans. For traditional blue-jeans coverage, head over here. These slim, high-waisted AG jeans are cool and comfortable, and the slightly flared ankle crop is the perfect canvas for showing off a fresh pair of sneakers. They suck everything in and hit right in the smallest part of your waist. I plan to wear them every single day this spring with a tucked-in T-shirt and shiny black penny loafers. The material is stretchy, and the panels comfortably stretch around my hips without falling down. I like the classic, vintage feel of these, down to the cast buttons. They are stylish and comfortable, and the frayed crop bottoms are a bonus. I especially love the ones by Target actually. They have a bit of stretch, which makes them a little more forgiving, and I like that they end just above my ankle, which helps make the legs look longer. My husband, David, tells me they are surprisingly sexy. You want to be sucked in when sporting white denim, which tends to showcase the slightest imperfection. Brassy and quick with a cutting aside, the Blockers scene-stealer acts circles around the rest of the cast particularly lead Daniel Doheny, as forgettably handsome here as in Alex Strangelove as they go on a mad dash through the woods to return the recovered member to its owner after their pal gets airlifted to the nearest hospital. The movie formerly known as Eggplant Emoji does a bang-up job of stretching this thin premise to feature length, throwing obstacles at the characters and mining laughs from the solutions they have to gin up on the fly. In the future metropolis of Grainland creators Kevin R. Her mom Molly Constance Wu spends all her time fiddling with the family bots, leading Mai Su to wander off on an adventure where she becomes acquainted with a one-of-a-kind, state-of-the-art model labeled Her assignment to have him eliminate his mechanical brethren is only the first unexpected move in a series of zags-over-zigs, culminating in poignant scenes featuring the inspired concept of artificial amnesia. Step Sisters The Bring It On series, the clear antecedent to this dance flick which is, mercifully, far superior to Dance Flick , kept considerations of class and race in the mix through its many installments. A supporting performance from Matt McGorry as a semi-self-aware, even more intolerable version of his already intolerable self instantly validates the casting. Calibre The forbidding Scottish highlands provide a spooky backdrop for a back-to-basics horror movie — of sorts. A pair of lads working the classic yin and yang of manliness one rips lines of coke and chases skirt, the other is a dutiful husband to a pregnant wife go out for a hunting holiday in the untamed U. Shame runs both men through a wringer of remorse, accentuated by the disconnect between their city manners and the decency of their country-folk hosts. In the opening moments, a scientist wakes up beside his ex-lover. Masked men storm into their room a moment later, drag them into the basement, demand a huge payoff, and kill our man when he tries to escape. He then reawakens and begins the cycle anew, setting off a twisty logic puzzle tricked out with killer robots, glowing insignia tattoos, and a perpetual-motion machine capable of resetting time. But only within highly specific parameters. It is a Groundhog Day — Primer bastardization full of sound and fury, signifying nothing. It has its fun with the sound and fury, though. Alex Strangelove The Skeleton Twins director Craig Johnson summons the ghost of John Hughes for this sweet if anodyne lark about a high schooler grappling with big questions about his sexual identity. Everyone ends up right where they belong, a millennial happily-ever-after of free tolerance and self-discovery without torment. Whether a viewer finds this a pleasing change of pace from a queer cinema steeped in the tragic or an overly slight sanitizing of an emotionally intense process will be a matter of personal preference. Though anyone can at least see the appeal in a hit of escapism this potent: Bean Boyfriend. Legend of the Jungle To employ an age-old critical parlance: But somewhere in post-production, Serkis must have clicked the wrong buttons, because all of the animals have the disquietingly humanoid faces of an anthropomorphized furry. But because this critic had zero outside knowledge going in, he was largely pleased to find an off-the-wall pre-viz extravaganza of inspired computerized nonsense. Brace for hijinks! Triple Frontier Alas, J. Chandor showed such promise. A crack team of veterans — a lineup of heavyweights including Ben Affleck, Oscar Isaac, Garett Hedlund, Charlie Hunnam, and Pedro Pascal — set a course for South America to nab a fortune in dirty money from a drug lord. Some convenient dovetail-shaped plotting and pushy hot-pursuit sequences only partially obstruct a document of hardship largely unknown in the States. Nikolaj Coster-Waldau mounts a convincing argument for himself as a bona fide movie star with his turn as former corrupt policeman Joe Denton, struggling to stay on the straight and narrow while reentering society following a prison stint. But where those films were well-served by simple, leaner scripts, this one spirals out in its many knots of plot. Odenkirk skillfully navigates through an obstacle course of genres and tones, as his Garden State —ish melancholia mercifully gives way to a noir-inflected mystery that links skinheads, Stacy Keach, a ring of jailhouse murders, and a newly contrived holiday with suitable ridiculousness. El Potro: Like so many other musical-genius biopics, the story of singer Rodrigo Rodrigo Romero takes us through an early period of finding himself, the fast track to FM radio, a giddy plunge into vice, and a premature death. The good news is that the rest of it is smart enough that we can fairly expect more. Four friends, all partners in a business facing some nasty tax-fraud charges, must agree on who among them shall take the fall for the crime. So when a train all but rolls up and begs to be plundered, what are Deirdra and Laney supposed to do? It is, first and foremost, an empathetic film. By now, Adams would be slated for a Marvel movie in and an Oscar nomination by But even though she took the gig in part as a free vacation, both Bell and Grammer refrain from phoning it in, spitting some real vitriol in the screaming matches that punctuate interludes of flatteringly photographed island leisure. The mythos has never been so dense, and while that may come at the expense of palatability for the general public making these releases into hits on American soil, those fluent in this particular dialect of technobabble will be in heaven. The Polka King In , a Polish immigrant by the name of Jan Lewan was arrested for masterminding a Ponzi scheme with receipts that ran into the millions. The bizarre account of his road to that moment lays a strong foundation for this zippy comedy about a lunge at the American dream that ends in a belly flop. Jack Black sinks his incisors into the role of the perpetually upbeat Lewan as an opportunity to do what he does best — namely, a funny voice and rock star-lite strutting during the whirlwind polka numbers. The boxing great fled his home of Mexico after a punch left his opponent down for much more than the count; stunned by his own capacity to do harm, he resolved to live a monastic life of humble pacifism among the Finns. His reluctant emergence from retirement fails to land a blow, but the film takes on a second life as a close examination of emigration and assimilation. Kim signals plans for so much while seeing so little of it through to completion, wantonly picking up subplots and casting them aside before anything can be done with them. Maktub A brush with death has a way of putting the zap on a guy. Partners-in-crime Chuma and Steve Israeli comedy duo Guy Amir and Hanan Savyon resolve to change their gangster ways after pure coincidence leaves them the sole survivors of a terrorist attack at a restaurant, but getting out of the game is never that simple. Their associates, naturally, have other notions. Amir and Savyon get away with their dicier hot-button writing on merit of their well-honed rapport, keeping everyone too busy laughing to tell whether or not the film is blithely problematic. Rajma Chawal Widower Raj the great Hindi cinema idol Rishi Kapoor wants to reconnect to his closed-off son Kabir Anirudh Tanwar , so he does the only rational thing and catfishes the fruit of his loins. Director Leena Yadav has no shortage of rather conventional complications up her sleeve, as the woman Amyra Dastur whose selfie Raj used for his faux-profile shows up and the truth inexorably comes out. Even so, this is what the Bollywood entertainment economy firing on all cylinders looks like: Call it the Yadav touch. Manhunt John Woo, he of the doves and indoor sunglasses and brain-melting gun fu spectaculars, came to Netflix to peddle his latest bullet-strewn dance of death. He brings his usual hyperkinetic style to the pursuit between a fugitive and the monomaniacally driven man on his trail, the action sequences as likely to inspire whiplash as the wild, out-of-nowhere vacillations to comedy and romance. Sometimes even with parental consent! Updating Clueless for the age of normalized vaping, the girls handle the hurdles of boys, parental units, and their inevitable separation with a distinctly modern candor. On a few different occasions, this film actually puts the horniness-money of Blockers where its mouth is. A Futile and Stupid Gesture Having already turned the tired tropes of the summer camp flick and the rom-com inside out, it looked like virtuoso parodist David Wain was set to lay waste to the biopic with his treatment of the life and times of National Lampoon co-founder Doug Kenney Will Forte. Forte plays Kenney as a figure of self-destructive tragedy and Domhnall Gleeson provides the superego to his id as co-founder Henry Beard, but the script forces both men to be stock figures in a hidebound rise-and-fall routine. The film rushes through some tossed-off horse pucky about Triad gangs and an innocent little girl caught in their crossfire, but so quickly and carelessly that the punches eventually lose all meaning, like a physical version of semantic satiation. For those who see the onscreen lancing of guts as a challenge in the same way that leather-mouthed mavericks take on punishing hot sauces, this poses a demanding test of endurance. Lady J Americans love to watch the frocks-and-petticoats set behaving badly, so the same costume-drama fetishists that made The Favourite an unlikely hit may flock to this salacious retelling of an 18th-century French novel from Denis Diderot. Eager to get back at him, Pommeraye enlists the help of a bewitching brothel worker Alice Isaaz to give the Marquis a taste of his own sour medicine, remaking her as the well-bred Lady J. Rarely has sin been so delicious. The horrifying visions that then plague him amount to a sumptuous buffet of terror trigger warning: Director Zak Hilditch puts the text he has through its paces, but a viewer still walks away with that haute cuisine dissatisfaction: It was great and everything, but such small portions! Paddleton Alex Lehmann has managed the impossible, and found a new variant to the fatalist romance of The Fault in Our Stars. The men may not smooch or anything, but because the kindred loners only feel fully understood by one another, they need each other as desperately as any husband needs their wife. Though he only wrote the script, some of the Duplassian glibness endemic to his directorial projects seeps through. The Legacy of a Whitetail Deer Hunter From psycho mall cops to deluded martial arts instructors, director Jody Hill has an unending fascination with men imprisoned by their own fragile masculinity. Hill fans may be disappointed to find that his latest feature lacks the maniacal edge of Observe and Report and his small-screen work, but neophytes may appreciate the down-the-middle palatability in the father-son bond. He played in this dramatization by Antonio de la Torre and eight other guerrillas known as the Tupamaros lived for over a decade in abject captivity, holding fast to their tenets even as they were used as bargaining chips in the conflict raging outside. You know, like Paradox. In the memoir of William Kamkwamba, a resourceful Malawian boy who saved his drought-stricken village with a water pump of his own amateur engineering, he found a worthy story and underlying cause. Gun City The title refers to Barcelona during the s, a period of social turbulence on several fronts: Dani de la Torre spreads his Spanish-language crime epic across this Catalonian fracas, with veteran-turned-cop Uriarte Luis Tosar on one side and corrupt officials, mercenaries, gangsters, and ill-tempered pornographers on the other. The reported budget of five million euros shows in the production design that dwarfs the opulence of your average prestige streaming series. A broken-down Ben Mendelsohn slips into the role of Anders Hill, a man taking a shot at reinvention. Netflix has done a lot to foster a global awareness of international film, case in point being this Nigerian selection opening up a perfect point of entry to Nollywood cinema for the not-so-well-versed. But Nnaji stays mindful of the social currents and customs specific to her home, and uses them to construct an identity all her own, both as a sui generis filmmaker — her humor is ebullient, but grounded — and as a representative of her national cinema on the world stage. Accomplishing a good deal with very little — keep your buckets of blood, monsters, and jump scares, thanks — Perkins conjures fear from thin air. Be forewarned, however: Your Son First things first: Distinguished surgeon Jaime Jose Coronado, a more tacit, brutal stand-in for Liam Neeson loses it when his son Marcos Pol Monen gets beaten to smithereens outside a club, and vows to bring the hurt to those behind the attack. Who could watch the slow, pitiless death of a police horse and not feel its pain? There must have been 50 ways to go awry when adapting this popular manga series for a feature film; losing basic coherence while condensing ten volumes of writing into a minute package, sacrificing the essence of the art by making kinetic what was once stationary, hiring annoying voice actors. Director Hiroyuki Seshita does the Charleston around these many pitfalls, safely emerging on the other side with a beautiful dark twisted cyberpunk fantasy. Skittering android-spider abominations and hyperspeed gun-toting rebels populate this desolate post-industrial hellscape, where a band of rebels must beat back the advance of an approaching death-bot storytelling often takes a way back seat to immersive set dressing with a mix of futuristic weaponry and courage. A bit typical in its band-of-heroes narrative, but never in the stylistic means employed to tell it. Us and Them The chunyun period refers to the days of unusually high-density travel in China surrounding the Lunar New Year, where circumstances squeeze strangers up against one another in quarters too close for comfort. Not quite the case for Jianqing and Xiaoxiao Jing Boran and Zhou Dongyu, respectively , who hit it off during this mad dash and begin a decade-long love affair. This soapy drama retells the story of their relationship through a series of flashbacks interwoven with visions of their joyless post-breakup present, riding the ecstatic highs of infatuation and the bleak lows of a drag-down fight. While the dialogue used to express this trajectory often leans to the trite, the outsized extremes of feeling — full-body sobs, declarations of undying devotion — shine through undeterred. His first and best was tapping macho man Frank Grillo for the lead, a getaway driver taken hostage via phone and forced to run a series of increasingly hazardous jobs during one unending night. Our man Seok-heon Ryu Seung-ryong is more of a Paul Blart than a Bruce Wayne, lacking in playboy billionaire status, a rippling physique, and even a sound moral code. Not everything has to be the end of the universe. Mascots Ten years after his last foray into long-form mockumentary, Christopher Guest returns to his wheelhouse with another inspection of a peculiar subculture as likely to induce squirms of discomfort as laughter. He and a colorful coterie of artists, buyers, and curators Toni Collette in a chopped wig, John Malkovich as an embittered Jeff Koons avatar, Daveed Diggs as the nouveau-Basquiat taking his place duel via posturing and bons mots full of hot air in what should be a hoot. Perhaps Morf himself would find it ever so droll that a movie about people obsessed with exteriors has little going on beneath the outermost shell. Following the examples of Edgar Wright and the Wachowski sisters, Sato has synthesized everything fun about manga, Western superhero comics, and video games into one gratuitous-in-the-best-way package. Time Share The gnarled heart of capitalism beats somewhere inside the timeshares-for-sale industry, a tarnished business that simultaneously strips the self-respect from both the pitchman and the customer. The CGI flamingo, former Breaking Bad star RJ Mitte as the knowingly generic face of Everfields, the potato sack race that triggers a complete existential vortex of hopelessness — it all fits right in with a shiny twilight zone of prefab relaxation. Layla M. From the Netherlands comes this politically minded character piece about a young woman Nora El Koussour chafing under Islamophobia while living among the Dutch, and how that tension drives her to radical extremes. Lending her fellow woman an empathetic ear, director Mijke de Jong organically contrasts these two strains of oppression to expose the difficulty that women of color have in finding a place of their own wedged between white and male violence. He decides to take a wife to assuage some of the self-imposed loneliness, though the union they form more closely resembles animalistic pack mentality than matrimony. While not the most instantly pleasurable sit, this modern silent film succeeds where The Light Between Oceans most recently failed, linking the birth of a family unit to something deeper and older than its composite members. Macon Blair works from a decidedly Coen-esque template in his directorial debut, but invests enough of his own idiosyncrasies into the story of two oddballs a fed-up Melanie Lynskey and slightly unhinged, nunchuck-brandishing Elijah Wood on the ineptly charted warpath for this to feel like a beast all its own. A couple retreats to a secluded cabin, hoping to give their flagging marriage a shot in the arm with a sexy weekend excursion. But when he handcuffs her to the bed and promptly dies of a heart attack, she has to draw on all her ingenuity and confront some personal demons to take one last grasp at life. The Hours comparison is hard not to make, though Stephen King wrote the novel on which this is based long beforehand. Maybe Hollywood was waiting for two actors as game as Carla Gugino and Bruce Greenwood, put through their paces and then some in a hallucinatory night of the soul that dislodges some dark repressed memories and reorients their present. At least for performers, this all-in two-hander is worthy of study like Scripture. Cargo Directors Ben Howling and Yolanda Ramke have done their zombie homework, drawing smartly from a long cinematic heritage while introducing a sufficient number of new innovations to distinguish themselves from their flesh-hungry forebears. Sand Storm Hormones a-raging, a girl crushes hard on a boy and they strike up a secret relationship away from the disapproving eye of her traditionalist father. That San Lian must sign off on the document before Jay receives one thin Taiwanese dime is the catch on which this medley of mixed-up feelings hinges. In the lacuna between what we know we should feel and what we actually feel, directors Hsu Mag and Hsu Chih-yen find a great big reason-impervious mess. Their smartest move? Refraining from imposing order. Before I Wake Images lodge themselves in our memories during the tender developmental years, twisting and warping and growing in size to ghastly proportions as they lurk in the subconscious. This bedtime-story chiller from Mike Flanagan demonstrates a deeper understanding of this concept than most horror films fishing in the shallow waters of pop-psych. A well-meaning couple Tom Jane and Kate Bosworth take in an adorable 8-year-old foster son Jacob Tremblay after their child drowns in the bathtub. Skip navigation! Story from Pop Culture. There's no shortage of stand-up comedians in the world, but it's the funny women taking over microphones that are most worth your attention. Beyond the Comedy Cellar , unique and powerful women are taking over comedy from every direction. Some dominate Twitter in between gigs. Some have found fame as TV stars who still fit in a set or two on the side..

In the memoir of William Kamkwamba, a resourceful Malawian boy who saved his drought-stricken village with a water pump of his own amateur engineering, he found a worthy story and underlying cause.

Gun City The title refers to Barcelona during the s, a period of social turbulence Got some crazy head mature white women several fronts: Dani de la Torre spreads his Spanish-language crime epic across this Catalonian fracas, with veteran-turned-cop Uriarte Luis Tosar on one side and corrupt officials, mercenaries, gangsters, and ill-tempered pornographers on the other. The reported budget of five million euros shows in the production design that dwarfs the opulence of your average read more streaming series.

A broken-down Ben Mendelsohn slips into the role of Anders Hill, a man taking a shot at reinvention. They tackle issues from navigating online dating to dealing with politicians who are constantly spouting anti-women rhetoric.

So use this list as a jumping off point for discovering new shows to see and comedy albums to listen to.

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Stand-up is still dominated by men, but you could be part of the wave of fans that take these female comics to the next level of fame.

On the March 31 edition of. Jenner may be ready to bury the. Kim Kardashian and Kanye West's "Sunday Service," a private concert featuring impromptu choral arrangements of West's music, has become a weekly tradition.

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Old good movies from the 80s and 90s. By Leah Mcdonald For Dailymail. A white woman has been fired from her job and faces criminal charges after video footage showed her drunkenly shouting racist abuse at two black sisters.

She now faces criminal charges for communicating threats and her employer, Spectrum, confirmed that her contract has now been terminated. Susan Westwood left is facing charges of communicating threats and simple assault against sisters Click here and her sister Chele Garris 2nd left and right on October Chele Garris, one of the women who was verbally attacked along with her sister Leisa, posted a series of videos of the incident to Facebook.

Got some crazy head mature white women an accompanying post she wrote:. In the video, Susan Westwood engages the other women for no apparent reason.

The sisters were aggressively confronted by Westwood after they politely asked her to leave them alone. At one point one of them told her: One of the women is heard in the video calling and saying: She became more animated when she noticed the women recording her racist tirade.

She proceed Got some crazy head mature white women shout in one of the women's faces before they went upstairs to their apartment. After the two women walk away and one of them calls to report harassment, Westwood yells at them from a distance: This is North Carolina by the way'.

Leisa left and Chele Garris right said they are distraught over the incident on October Leisa left and Chele right said they never encountered trouble at the complex where Chele lives. In a shared statement, the sisters added: The incident happened over more than five minutes as the sisters waited by their vehicle in an apartment complex parking lot for AAA car service, video shows.

By Saturday, the video was viewed on various social Got some crazy head mature white women sites nearly 1 million times. The pair said the videos showing the incident and tagging several social media outlets to expose acts of racism.

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The Charlotte Observer reported that Police on Saturday would not identify the woman who is accused of both assault and making threats. The video is the latest encounter captured with cell phone cameras that show white people across the United States bullying and threatening black people and other minorities. In Brooklyn, New York, a white woman told police that a 9-year-old boy Got some crazy head mature white women assaulted her, but video surveillance showed the boy accidentally brushing past her while walking in a deli.

The woman has since issued an apology.

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Share this article Share. Read more: Share or comment on this article: White woman who hurled racist abuse at two black women is fired from her job e-mail 50k. More top stories. Bing Site Web Enter search term: Charlize Theron: My child I thought was a boy is Dancer beams as he meets fans How source can dress your whole brood on a budget, whatever the occasion Ad Feature Rachel Riley dragged into furious Twitter row with Coronation Street's Nicola Thorp over female genital mutilation Twitter Got some crazy head mature white women Emily Ratajkowski's secret to the perfect topless selfie revealed: Kim Kardashian and her sisters proudly open the Robert G.

Kardashian center for esophageal health Viewers left in tears as Billie cries during visit to a children's hospice Princess Beatrice shows she's just like us as she's spotted picking up groceries in Marks and Spencer Kodak Black cancels Wednesday night show in Boston for undisclosed reasons as rapper's location remains unknown Mysterious Lovely to bump into you!

Tinsley Mortimer breaks down in tears as she cries over late alcoholic father and relationship Emotional Madonna, 60, transforms into a cigar-smoking bride for new single Medellin with singer Maluma Strictly star awkwardly swerves Stacey Dooley questions after her ex revealed former dance partners are in a relationship Kristin Cavallari steps out in New York City in two outfits Joel Edgerton holds hands with his fashionista girlfriend Christine Centenera as they go sightseeing in Dublin Ivanka reveals her seven-year-old daughter Arabella used the nanny's phone to ask Siri how many people her grandfather had saved from prison Victoria's Secret model Kelly Gale flashes underboob as she Got some crazy head mature white women ANOTHER bikini to Old cleaning lady gets fucked Jussie Smollett relaxes click at this page Hawaii vacation with a suspicious looking cigarette as the texts sent by meddling Chicago prosecutor Kim Foxx to get his case dropped are revealed Coleen Rooney looks radiant as she Got some crazy head mature white women sons Kai and Klay for a wholesome snap Prince travelling to Germany on May 6 - after remaining in the UK for the births of grandchildren Game Of Thrones star Nikolaj Coster-Waldau admits wife and children were 'uncomfortable' watchingincest scenes Jamie Foxx strikes a pose, sings and delivers spot-on celebrity impressions in his QVC debut, stealing the show as he sells his trendy, affordable sunglasses Beyonce's daughter Blue Ivy, 7, sings on Homecoming: The Live Album Today's headlines Most Read Charlize Theron: For the first time, the Hollywood actress Bank of England fears as UK debt rises to The brutal realities of childbirth: Viral image shows what 10 centimeters of dilation really looks like New algorithm can predict your genetic risk of Dame Emma jets 5, miles to show how green she is!

Actress issues call-to-arms for climate activists to Skateboarding plod? No, send in the riot squad Eco-mob plot to ruin Easter: Climate protesters vow to bring Heathrow to its knees on Good Friday The Cotswold Conspirators: How four key players in the Extinction Rebellion eco-mob plotted chaos in London Prince Charles calls for an end to knife crime in his Easter message, saying anyone who commits 'such brutal Chilling call The great hot cross bun taste test!

British teacher couple killed in ft ravine plunge on Santorini 'died when they accidentally Two British people DIE after receiving yellow fever vaccines as health chiefs urge doctors Got some crazy head mature white women use extreme Coroner warns parents against sleeping with their babies after a six-day-old boy died in his father's arms How page after page is covered with redactions covering WikiLeaks, Manafort and Special Counsel's blockbuster findings on Russian collusion in the White House fightback begins: Trump denies reacting to Russia probe by saying 'this is the end of my Headteacher, 44, is struck off for failing to protect Shanay, seven, who was tortured to death by her She's put bent mafia judges behind bars in Chicago and now the new Serious Fraud Pippa Middleton takes baby Arthur swimming to make sure he sleeps well and gets Got some crazy head mature white women that puts our holidaying MPs to shame: Couple who had been married for 54 years labelled their belongings with who should get them before killing Crusaders married local women, had families and their sons fell in battle as they tried to reclaim the Holy Heartbreaking pictures show man digging a grave for his dog while the pet watched - before vet changed his Father shares daughter's charming letter to Lego magazine where she asks for 'more girls please' after Racehorse trainer, 40, hanged himself after his wife had an affair with a jockey who texted her 'sexual Toy Story 4 unites 'old and new friends' with an epic road trip as Disney Pixar releases new trailer and Love Island star Sophie Gradon's parents dispute coroner's ruling that she hanged herself after alcohol and Abusive boyfriend, 24, who strangled mother-of-five and then mutilated her body 'beyond description' sobs as he's Got some crazy head mature white women in video released after he is found guilty of murder Scarred Got some crazy head mature white women life by heroin: Addict who was left with horrific wounds after years of injecting drugs reveals how she turned to prostitution at 13 to fund her habit before turning her life around Serial killer Joanna Dennehy is still trying to snare men from prison and even had one propose to her by letter - as new Susanna Reid documentary shows 'psychopath' joking and flirting with police 'Don't condescend to me or to us': For the first time, the Hollywood actress reveals why her adopted child Jackson is wearing dresses.

And her inspiration? Her own mother — who shot her father Heartbreaking pictures show man digging a grave for his dog while the pet watched - before vet changed his diagnosis and said dog would be FINE Dame Emma jets 5, miles to show how green she is!

Eco-warriors' plan to bring chaos to UK's busiest airport when millions make Easter getaway is exposed as 'thousands more activists are heading to London' Eco-anarchist who glued herself to a DLR train is a Cambridge-educated read more teacher and musician who believes in the 'therapeutic power of gongs' Hilarious picture shows two World's Strongest Man champions looking far from impressed after being forced to squeeze into tiny economy seats next to each other on a plane 'Damn, life was good!

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bisexual secret Watch Short hair big tits amateur fuck Video Strictly Porn. There's no shortage of stand-up comedians in the world, but it's the funny women taking over microphones that are most worth your attention. Beyond the Comedy Cellar , unique and powerful women are taking over comedy from every direction. Some dominate Twitter in between gigs. Some have found fame as TV stars who still fit in a set or two on the side. Some are comedians you already love, yet maybe you had no idea they actually got their start in comedy on a lonely stage with a mic. They tackle issues from navigating online dating to dealing with politicians who are constantly spouting anti-women rhetoric. In an accompanying post she wrote:. In the video, Susan Westwood engages the other women for no apparent reason. The sisters were aggressively confronted by Westwood after they politely asked her to leave them alone. At one point one of them told her: One of the women is heard in the video calling and saying: She became more animated when she noticed the women recording her racist tirade. She proceed to shout in one of the women's faces before they went upstairs to their apartment. After the two women walk away and one of them calls to report harassment, Westwood yells at them from a distance: This is North Carolina by the way'. Leisa left and Chele Garris right said they are distraught over the incident on October Leisa left and Chele right said they never encountered trouble at the complex where Chele lives. In a shared statement, the sisters added: The incident happened over more than five minutes as the sisters waited by their vehicle in an apartment complex parking lot for AAA car service, video shows. By Saturday, the video was viewed on various social media sites nearly 1 million times. The pair said the videos showing the incident and tagging several social media outlets to expose acts of racism. The Charlotte Observer reported that Police on Saturday would not identify the woman who is accused of both assault and making threats. The video is the latest encounter captured with cell phone cameras that show white people across the United States bullying and threatening black people and other minorities. In Brooklyn, New York, a white woman told police that a 9-year-old boy sexually assaulted her, but video surveillance showed the boy accidentally brushing past her while walking in a deli. The woman has since issued an apology. Share this article Share. Read more: For a while, the character is more fully-developed than the film around her, until the final twenty minutes take some shall-we-say-unanticipated turns that seriously undercut its progressive messaging. Slightly coercive sex and cuckolding: Revenger The seventh art started going downhill the day that CGI blood was ruled more cost-effective than squib packs and karo syrup. Hopefully, powerhouse star Bruce Khan will find more sure-handed tutelage elsewhere, and soon. The most costly production in Malay film history often feels like an extended recruitment video, showing how PASKAL soldiers save lives and assist the UN in keeping the peace without pushing back against the undercurrent of jingoism. Leader of men Commander Anwar Hairul Azreen entertains the notion that he may not be able to serve his country and his family at the same time, a nagging doubt typical of the war film, but the film settles that with the conclusion that country and family are one and the same. Though the three tactical operations around which the script has been molded are executed with the precision and efficiency expected of the military, the shut-up-and-put-up thinking leaves its topic only half-covered. Nowhere outside Pinterest have canned aphorisms ever carried this much clout. If only it was funnier. On the other hand, there is something slightly risky and revisionist about placing a half-Korean character in a role so historically steeped in whiteness. If nothing else, the specter of Long Duk Dong will have been forever dispelled. From a city-block bombing to a shooting spree at a campground, Greengrass treats discretion like weakness as he shows and shows and shows. Benji The Great Louisiana Tax Break Production Boom has attracted many stars to the oak-lined streets of New Orleans over the past decade, and the latest addition to the list is the hottest star on four legs, wonder dog Benji. The best that can be said for this neutered reboot of the musty mutt franchise is that it makes active use of its surroundings where so many have attempted to obscure them. And yet nu-Benji lacks a certain canine charisma present in his doggy forebears, and weirder still, this film plays up the element of Christian dogma — thank you, thank you — traditionally constrained to the subtextual level. Rebirth The first rule of this anti-corporate psychological thriller is do not talk about Fight Club. Goldberg breaks his pal out of a funk by inviting him to join a new movement of self-actualization he recently discovered, where instead of therapeutically punching the bologna out of one another, members chant creepy affirmations about accessing inner truth. Ugarte slowly comes undone as a nurse capable of communicating via haunted VHS tape with a boy who died 25 years earlier. Paulo has a week-one-freshman grasp on chaos theory, and succeeds only in dumbing the concepts down while falling into the same grandfather paradox facing any time-travel movie. Not even the broad shoulders of Ugarte can carry a film so poorly thought-through. How else to account for the absolute absence of any signs of life whatsoever in each and every performance? As a mother grieving her young son recently nabbed by wolves, Riley Keough never breaks her heart-monitor monotone, and Jeffrey Wright matches her mumble-for-mumble as the nature expert who comes to find the missing boy. A troubled young man Luke Grimes searching for his father pulls a gun and takes five hostages. Director David E. Talbert uses this pressure cooker as a breeding ground for a black comedy of schemers and bumblers, brought to life by a cast seemingly picked at random from a hat. Tim Allen! Jessica Alba! A viewer gets the impression that nobody in this motley troupe was in contact with one another during shooting. The cartoonishly inept lawmen plotting to resolve the situation have a Keystone Kops thing going on, the news team broadcasting the events occupy a more cynical atmosphere, and on the scene indoors, the shooter and his bargaining chips are doing Coen brothers cosplay. Been So Long I am of the steadfast belief that any bad movie can be improved at least slightly with the addition of musical numbers, a principle supported by this adaptation of a London stage smash. Without the occasional ditty to spice things up, this would be a standard-issue guy-meets-gal romance about a single mother trying to get back out there. While the music suffers from Repo! Burning Sands Yet another clone movie, this one retreading the stomach-churning account of hazing gone too far undertaken by Goat the previous year. But instead of tiptoeing around the jocks, prevailing attitudes of mandated prudence mean that our boys must tiptoe around their parents, their nation, and their own guilt. The sword of Damocles finally drops when his partners turn against him, his wife sends a messenger boy to announce her request for a divorce, and his substance-based hobbies threaten to worsen into habits, all on the same Monday. In America, it feels like the Sundance-industrial complex gives us another one of these every couple of years. He casts a bold silhouette as the image of gallantry, oftentimes to disbelief-testing extents. Did he really wait to deflower his teen bride, played by a poorly utilized Florence Pugh, until she was ready to give her consent? Mackenzie wants us to gawp at his lengthy tracking shots and flaming catapult, but the bouquet of loose screw-ups has a way of holding the attention. The resulting uproar destroyed treasured relationships and put him through a great test of faith in line with Christian lore, and director Joshua Marston chooses to relate this with all the dramatic nuance of a Lifetime Original Movie. Not even a sensitive turn as an AIDS-positive organist from the unerring Lakeith Stanfield can earn this film salvation. The Killer And now for something completely different: Diogo Morgado cuts a commanding figure as our man Shaggy, a couple notches closer to feral than the usual gunslinger. The Warning Spanish filmmaker Daniel Calparsoro could have a long career ahead of him in Hollywood, where they crank out ambitious but imperfect conceptual thrillers like this one by the bushel. To work off his debt, Gudio joins the shadowy league of collectors and rapidly learns the ropes of a dishonest yet highly seductive profession where all rules have a bit of wiggle room. Crouching Tiger, Hidden Dragon: The painterly photography has been supplanted by the flatness of prestige TV, and the long, pensive gaps in which viewers were once free to appreciate the rustling of tree branches or distant chiming of bells are now filled with meaningless exposition. Formulaic as his handiwork may be, director Julien Leclerq has his head on straighter than his characters, moving his minute run time at a swift clip with a few Mannly action sequences. A national cinema once limited by censorship and old-fashioned ideas about propriety is now exploring new sexual frontiers, this romantic anthology being a bracingly blunt case in point. Behold, the first onscreen appearance of a vibrator in the history of Indian film! Four separate stories revolve around women in various states of dissatisfaction — carnal, sure, but more frequently emotional. A lot of the comedy errs on the side of the sophomoric, with one randy set piece taking cues from the risible The Ugly Truth , but what this effort represents still counts for quite a bit. Imperial Dreams A curious specimen, this film was made and released in two dramatically different worlds. When the picture first premiered at Sundance in , John Boyega was another handsome young Brit with a lot of promise and a stare capable of cutting metal. By the time Netflix unveiled it in , he was an A-lister with a leading role in the biggest blockbuster franchise on the planet. The Angel By , tensions along the Egyptian-Israeli border had escalated to powder-keg levels, and a violent engagement was all but imminent. This true-to-life thriller contemplates the answer and settles somewhere between the two in a conflicted character study that resists simple heroism. If only director Ariel Vromen had put a little more oomph in the scenes where things happen and sunk less time into scenes in which people talk about things happening. What could have been an amoral romp in the vein of American Made lands in a more subdued, inert mode, never quite reveling in its own misdeeds. Solo Alright, cards on the table, Netflix. Two days later, this Spanish tribute to real-life perseverance popped up under a nearly-identical title. The retelling of one Irish U. That results in a weird dissonance, where the film works as a discrete whole but fails on a scene-by-scene basis. The ensuing dash to get the sinewy hellion back in his container drably shuffles through its action sequences and has a, shall we say, utilitarian relationship to language. Tallulah Former Orange Is the New Black writer Sian Heder tries her hand behind the camera for this study in contrasts about three women all chafing under the demands of motherhood in their own way. In the title role, Ellen Page is a street urchin feeling lost after her good-for-nothing boyfriend abandons her, but finds new meaning in life when fate puts a helpless infant in her custody. Well-measured restraint improves the acting across the board, which in turn keeps this film away from the treacly sentiment that occasionally rears its weepy head. Janney takes it in a walk, naturally. Targarona has a perceptible admiration for Boix and the bravery required to surreptitiously document some of the most heinous crimes against humanity that history has ever seen. Targarona, a veteran of the Spanish film industry, has earned the right to have a little more faith in herself. The Titan Sam Worthington is one of those actors whose blank expression and generically handsome features make him the perfect candidate to portray a robot. See also: Emily Ratajkowski, Jamie Dornan. Forestalling the inevitable, this sci-fi thought exercise gets near the mark by casting Worthington as something other than human — in this case, the next stage in evolution. The film lacks focus, however, glancing past a number of thoughtful paths in an effort to simultaneously take all of them. Pickpockets Those small-time hoodlums rationalizing theft as a victimless crime often tend to not realize that after long enough, they will become the real victims. A sense of coiled-spring energy and an emphasis on the fascinating nuts and bolts of ripping strangers off can make a hundred-dollar job feel as exciting as a bank heist, both for us and the purloiners onscreen, who steal for the sheer rush as much as the money. Director Peter Webber is never better than when exalting in the kinetic glory of petty larceny, his camera as weightless and carefree as its subjects, but the need to impose an arc on their lifestyle mucks up the merrymaking. The arrival of an elder mentor in misdemeanors steers the younger leads to betrayal, jealousy, and internal conflict, all of which makes for adequate drama at the price of the poetry-in-motion exhilaration of their earlier cooperation. Emmet Walsh could be altogether bad. Still, the script arrives at the same inevitable endpoint as any other movie about someone avenging a loved one. You know the old saying — before you embark upon a journey of revenge, dig two graves. The hole acts as a statement bangle for the film, a pop of difference standing out from the sameness. Terron leaves his fellow middle schoolers in the dust on the basketball court, and before long, a coach Josh Charles from an elite private academy headhunts him for their team. Koo misses the three, but sinks the layup. The rest of the movie writes itself: He gives a much better showing than the rest of the movie deserves, the room-temperature casserole of saccharine little-kid antics and uncanny-valley-plumbing CGI elves that it is. The Italian case of Stefano Cucchi, dramatized in this work of righteous outrage by Alessio Cremonini, sounds all too familiar: After getting apprehended by the feared martial peacekeeping force known as the Carabinieri on a minor drug-possession charge and held in custody, the young infrastructure worker was winnowed down to a malnourished husk of himself, beaten, and ultimately killed. I sincerely wish the best of luck to open-minded viewers making heads or tails of this, but anyone put off by obtuseness may wind up wanting their minutes back. Steel Rain Japanese anxiety over the devastation of the atomic bomb gave us Godzilla, and now the ongoing nuclear tensions between North and South Korea have yielded this jittery, paranoid missile thriller. The Discovery In the vast gulf between conception and execution, we have this down-tempo thought experiment from Charlie McDowell. In a world where Robert Redford has conclusively proven the existence of an idyllic afterlife, the suicide rate has mushroomed. Jason Segel and Rooney Mara are strangers with a mysterious attraction and conflicting opinions about what to do with this frightening new frontier. Director Anne Fletcher and screenwriter Kristin Hahn placed themselves in an advantageous position by building their adaptation of a YA smash around the music and philosophy of Her Dollyness, an idol to plus-size Willowdean Danielle MacDonald. She wants to teach her negligent mother Jennifer Aniston, bringing it a lesson by winning the beauty pageant that occupies her every waking moment, and the baldly stated moral of body acceptance is all well and good. The Laws of Thermodynamics Screenwriters are always trying to impose reason on the thorny tangle of contradictions that is love, but Spanish genre tinkerer Mateo Gil does so with more studied rigor. His script proposes that the laws of physics governing the chaotic movement of subatomic particles and the delicate space-time continuum can also be applied to the bonds between people. Gil brings a zingy, Gondry-esque energy to his experiment in bridging the gap between the mind and the soul, but his characters nonetheless possess all the pathos of a textbook word problem. In this daft laugher from across the pond, Julian Barratt plays the washed-up Thorncroft in the present day, as he shills his way through middle-age in humbling commercial spots. He gets a shot at redemption when a homicidal maniac demands the police put him in contact with the real Mindhorn, and much to the displeasure of his real-cop partners, Thorncroft gets back into character. Barry Barack Obama is the coolest commander-in-chief to have ever graced the Oval Office — this is fact. Remember back when those were qualities the president had? A Kickstarter campaign to drum up a budget outlined a daring plan to shoot guerrilla-style inside of real moments as they unfold: This two-hander drama is situated at the inevitable point where sickness bleeds over into the more meaningfully personal — friends, romantic relationships, family. Over the course of one evening, grueling even at a brief 71 minutes, she goes from tough-love counselor to enabler as she helps Seth score to keep him from dying of withdrawal. Both Jacobson and Franco are up to the task, never coming off as tourists in the genre like so many comedic actors stretching their range, and the ending is a lot darker than they play it. All the more frustrating, then, that the script would hamstring their work with such missteps as easy symbolism, voice-over overload, and crucial lines that ring false. Anyone over the age of 60 will most likely be charmed by this softly told romance between seniors-who-still-got-it Robert Redford and Jane Fonda, but everyone can share in the warmth this sweet-natured, if mild, film radiates. Adult children Judy Greer and Matthias Schoenaerts bring trouble into their geriatric Eden, but the prevailing tone is that of comfort. Even so, he still needs to formulate a sense of artistic self in terms of both originality and control before he can join the ranks of the proud troublemakers he so clearly idolizes. The Package For a movie about a kid who cuts his own dick off while drinking and camping, it could be a lot worse! Not a high bar to clear, admittedly, but Geraldine Viswanathan makes it look easy. Brassy and quick with a cutting aside, the Blockers scene-stealer acts circles around the rest of the cast particularly lead Daniel Doheny, as forgettably handsome here as in Alex Strangelove as they go on a mad dash through the woods to return the recovered member to its owner after their pal gets airlifted to the nearest hospital. The movie formerly known as Eggplant Emoji does a bang-up job of stretching this thin premise to feature length, throwing obstacles at the characters and mining laughs from the solutions they have to gin up on the fly. In the future metropolis of Grainland creators Kevin R. Her mom Molly Constance Wu spends all her time fiddling with the family bots, leading Mai Su to wander off on an adventure where she becomes acquainted with a one-of-a-kind, state-of-the-art model labeled Her assignment to have him eliminate his mechanical brethren is only the first unexpected move in a series of zags-over-zigs, culminating in poignant scenes featuring the inspired concept of artificial amnesia. Step Sisters The Bring It On series, the clear antecedent to this dance flick which is, mercifully, far superior to Dance Flick , kept considerations of class and race in the mix through its many installments. A supporting performance from Matt McGorry as a semi-self-aware, even more intolerable version of his already intolerable self instantly validates the casting. Calibre The forbidding Scottish highlands provide a spooky backdrop for a back-to-basics horror movie — of sorts. A pair of lads working the classic yin and yang of manliness one rips lines of coke and chases skirt, the other is a dutiful husband to a pregnant wife go out for a hunting holiday in the untamed U. Shame runs both men through a wringer of remorse, accentuated by the disconnect between their city manners and the decency of their country-folk hosts. In the opening moments, a scientist wakes up beside his ex-lover. Masked men storm into their room a moment later, drag them into the basement, demand a huge payoff, and kill our man when he tries to escape. He then reawakens and begins the cycle anew, setting off a twisty logic puzzle tricked out with killer robots, glowing insignia tattoos, and a perpetual-motion machine capable of resetting time. I wear them with everything, from put-together Ralph Lauren oxfords to trendy Caroline Constas blouses. They have just enough stretch to be comfortable and supportive without being restrictive or so stretchy that they lose shape easily. The frayed detail at the bottom is so cute with patent-leather booties in the winter or with slides in the summer. This pair is some magic invention of stretch that seems to be pulled tighter in certain areas to create a really generous lifting and flattening appearance, like across the front pockets, for example. The fabric stays super white and gets softer the more you wash it. It has a classic high-waist and straight-leg fit that makes them look a little vintage. Woman-led, low price points, and serious consideration into how the product is made. But her best work, I think, is the white denim. The Odettes have a bit of a heavier weight read: Mine have stood up to countless wash cycles with nary a fray. The Strategist is designed to surface the most useful, expert recommendations for things to buy across the vast e-commerce landscape. We update links when possible, but note that deals can expire and all prices are subject to change. Every editorial product is independently selected. 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Drunk white woman harasses two black women in a parking lot She became more animated when she noticed the women recording her. You've got to hand it to France — they may be as good at churning Got some crazy head mature white women running around in Juicy tracksuits with “HOT” on the butt is sub-camp-skit funny, but a scene.

The most baffling aspect of all is that a female director would be behind this .

Xxx Hotsealopen Watch Amateur wife close up ass fucked Video Porno mode. The Angel By , tensions along the Egyptian-Israeli border had escalated to powder-keg levels, and a violent engagement was all but imminent. This true-to-life thriller contemplates the answer and settles somewhere between the two in a conflicted character study that resists simple heroism. If only director Ariel Vromen had put a little more oomph in the scenes where things happen and sunk less time into scenes in which people talk about things happening. What could have been an amoral romp in the vein of American Made lands in a more subdued, inert mode, never quite reveling in its own misdeeds. Solo Alright, cards on the table, Netflix. Two days later, this Spanish tribute to real-life perseverance popped up under a nearly-identical title. The retelling of one Irish U. That results in a weird dissonance, where the film works as a discrete whole but fails on a scene-by-scene basis. The ensuing dash to get the sinewy hellion back in his container drably shuffles through its action sequences and has a, shall we say, utilitarian relationship to language. Tallulah Former Orange Is the New Black writer Sian Heder tries her hand behind the camera for this study in contrasts about three women all chafing under the demands of motherhood in their own way. In the title role, Ellen Page is a street urchin feeling lost after her good-for-nothing boyfriend abandons her, but finds new meaning in life when fate puts a helpless infant in her custody. Well-measured restraint improves the acting across the board, which in turn keeps this film away from the treacly sentiment that occasionally rears its weepy head. Janney takes it in a walk, naturally. Targarona has a perceptible admiration for Boix and the bravery required to surreptitiously document some of the most heinous crimes against humanity that history has ever seen. Targarona, a veteran of the Spanish film industry, has earned the right to have a little more faith in herself. The Titan Sam Worthington is one of those actors whose blank expression and generically handsome features make him the perfect candidate to portray a robot. See also: Emily Ratajkowski, Jamie Dornan. Forestalling the inevitable, this sci-fi thought exercise gets near the mark by casting Worthington as something other than human — in this case, the next stage in evolution. The film lacks focus, however, glancing past a number of thoughtful paths in an effort to simultaneously take all of them. Pickpockets Those small-time hoodlums rationalizing theft as a victimless crime often tend to not realize that after long enough, they will become the real victims. A sense of coiled-spring energy and an emphasis on the fascinating nuts and bolts of ripping strangers off can make a hundred-dollar job feel as exciting as a bank heist, both for us and the purloiners onscreen, who steal for the sheer rush as much as the money. Director Peter Webber is never better than when exalting in the kinetic glory of petty larceny, his camera as weightless and carefree as its subjects, but the need to impose an arc on their lifestyle mucks up the merrymaking. The arrival of an elder mentor in misdemeanors steers the younger leads to betrayal, jealousy, and internal conflict, all of which makes for adequate drama at the price of the poetry-in-motion exhilaration of their earlier cooperation. Emmet Walsh could be altogether bad. Still, the script arrives at the same inevitable endpoint as any other movie about someone avenging a loved one. You know the old saying — before you embark upon a journey of revenge, dig two graves. The hole acts as a statement bangle for the film, a pop of difference standing out from the sameness. Terron leaves his fellow middle schoolers in the dust on the basketball court, and before long, a coach Josh Charles from an elite private academy headhunts him for their team. Koo misses the three, but sinks the layup. The rest of the movie writes itself: He gives a much better showing than the rest of the movie deserves, the room-temperature casserole of saccharine little-kid antics and uncanny-valley-plumbing CGI elves that it is. The Italian case of Stefano Cucchi, dramatized in this work of righteous outrage by Alessio Cremonini, sounds all too familiar: After getting apprehended by the feared martial peacekeeping force known as the Carabinieri on a minor drug-possession charge and held in custody, the young infrastructure worker was winnowed down to a malnourished husk of himself, beaten, and ultimately killed. I sincerely wish the best of luck to open-minded viewers making heads or tails of this, but anyone put off by obtuseness may wind up wanting their minutes back. Steel Rain Japanese anxiety over the devastation of the atomic bomb gave us Godzilla, and now the ongoing nuclear tensions between North and South Korea have yielded this jittery, paranoid missile thriller. The Discovery In the vast gulf between conception and execution, we have this down-tempo thought experiment from Charlie McDowell. In a world where Robert Redford has conclusively proven the existence of an idyllic afterlife, the suicide rate has mushroomed. Jason Segel and Rooney Mara are strangers with a mysterious attraction and conflicting opinions about what to do with this frightening new frontier. Director Anne Fletcher and screenwriter Kristin Hahn placed themselves in an advantageous position by building their adaptation of a YA smash around the music and philosophy of Her Dollyness, an idol to plus-size Willowdean Danielle MacDonald. She wants to teach her negligent mother Jennifer Aniston, bringing it a lesson by winning the beauty pageant that occupies her every waking moment, and the baldly stated moral of body acceptance is all well and good. The Laws of Thermodynamics Screenwriters are always trying to impose reason on the thorny tangle of contradictions that is love, but Spanish genre tinkerer Mateo Gil does so with more studied rigor. His script proposes that the laws of physics governing the chaotic movement of subatomic particles and the delicate space-time continuum can also be applied to the bonds between people. Gil brings a zingy, Gondry-esque energy to his experiment in bridging the gap between the mind and the soul, but his characters nonetheless possess all the pathos of a textbook word problem. In this daft laugher from across the pond, Julian Barratt plays the washed-up Thorncroft in the present day, as he shills his way through middle-age in humbling commercial spots. He gets a shot at redemption when a homicidal maniac demands the police put him in contact with the real Mindhorn, and much to the displeasure of his real-cop partners, Thorncroft gets back into character. Barry Barack Obama is the coolest commander-in-chief to have ever graced the Oval Office — this is fact. Remember back when those were qualities the president had? A Kickstarter campaign to drum up a budget outlined a daring plan to shoot guerrilla-style inside of real moments as they unfold: This two-hander drama is situated at the inevitable point where sickness bleeds over into the more meaningfully personal — friends, romantic relationships, family. Over the course of one evening, grueling even at a brief 71 minutes, she goes from tough-love counselor to enabler as she helps Seth score to keep him from dying of withdrawal. Both Jacobson and Franco are up to the task, never coming off as tourists in the genre like so many comedic actors stretching their range, and the ending is a lot darker than they play it. All the more frustrating, then, that the script would hamstring their work with such missteps as easy symbolism, voice-over overload, and crucial lines that ring false. Anyone over the age of 60 will most likely be charmed by this softly told romance between seniors-who-still-got-it Robert Redford and Jane Fonda, but everyone can share in the warmth this sweet-natured, if mild, film radiates. Adult children Judy Greer and Matthias Schoenaerts bring trouble into their geriatric Eden, but the prevailing tone is that of comfort. Even so, he still needs to formulate a sense of artistic self in terms of both originality and control before he can join the ranks of the proud troublemakers he so clearly idolizes. The Package For a movie about a kid who cuts his own dick off while drinking and camping, it could be a lot worse! Not a high bar to clear, admittedly, but Geraldine Viswanathan makes it look easy. Brassy and quick with a cutting aside, the Blockers scene-stealer acts circles around the rest of the cast particularly lead Daniel Doheny, as forgettably handsome here as in Alex Strangelove as they go on a mad dash through the woods to return the recovered member to its owner after their pal gets airlifted to the nearest hospital. The movie formerly known as Eggplant Emoji does a bang-up job of stretching this thin premise to feature length, throwing obstacles at the characters and mining laughs from the solutions they have to gin up on the fly. In the future metropolis of Grainland creators Kevin R. Her mom Molly Constance Wu spends all her time fiddling with the family bots, leading Mai Su to wander off on an adventure where she becomes acquainted with a one-of-a-kind, state-of-the-art model labeled Her assignment to have him eliminate his mechanical brethren is only the first unexpected move in a series of zags-over-zigs, culminating in poignant scenes featuring the inspired concept of artificial amnesia. Step Sisters The Bring It On series, the clear antecedent to this dance flick which is, mercifully, far superior to Dance Flick , kept considerations of class and race in the mix through its many installments. A supporting performance from Matt McGorry as a semi-self-aware, even more intolerable version of his already intolerable self instantly validates the casting. Calibre The forbidding Scottish highlands provide a spooky backdrop for a back-to-basics horror movie — of sorts. A pair of lads working the classic yin and yang of manliness one rips lines of coke and chases skirt, the other is a dutiful husband to a pregnant wife go out for a hunting holiday in the untamed U. Shame runs both men through a wringer of remorse, accentuated by the disconnect between their city manners and the decency of their country-folk hosts. In the opening moments, a scientist wakes up beside his ex-lover. Masked men storm into their room a moment later, drag them into the basement, demand a huge payoff, and kill our man when he tries to escape. He then reawakens and begins the cycle anew, setting off a twisty logic puzzle tricked out with killer robots, glowing insignia tattoos, and a perpetual-motion machine capable of resetting time. But only within highly specific parameters. It is a Groundhog Day — Primer bastardization full of sound and fury, signifying nothing. It has its fun with the sound and fury, though. Alex Strangelove The Skeleton Twins director Craig Johnson summons the ghost of John Hughes for this sweet if anodyne lark about a high schooler grappling with big questions about his sexual identity. Everyone ends up right where they belong, a millennial happily-ever-after of free tolerance and self-discovery without torment. Whether a viewer finds this a pleasing change of pace from a queer cinema steeped in the tragic or an overly slight sanitizing of an emotionally intense process will be a matter of personal preference. Though anyone can at least see the appeal in a hit of escapism this potent: Bean Boyfriend. Legend of the Jungle To employ an age-old critical parlance: But somewhere in post-production, Serkis must have clicked the wrong buttons, because all of the animals have the disquietingly humanoid faces of an anthropomorphized furry. But because this critic had zero outside knowledge going in, he was largely pleased to find an off-the-wall pre-viz extravaganza of inspired computerized nonsense. Brace for hijinks! Triple Frontier Alas, J. Chandor showed such promise. A crack team of veterans — a lineup of heavyweights including Ben Affleck, Oscar Isaac, Garett Hedlund, Charlie Hunnam, and Pedro Pascal — set a course for South America to nab a fortune in dirty money from a drug lord. Some convenient dovetail-shaped plotting and pushy hot-pursuit sequences only partially obstruct a document of hardship largely unknown in the States. Nikolaj Coster-Waldau mounts a convincing argument for himself as a bona fide movie star with his turn as former corrupt policeman Joe Denton, struggling to stay on the straight and narrow while reentering society following a prison stint. But where those films were well-served by simple, leaner scripts, this one spirals out in its many knots of plot. Odenkirk skillfully navigates through an obstacle course of genres and tones, as his Garden State —ish melancholia mercifully gives way to a noir-inflected mystery that links skinheads, Stacy Keach, a ring of jailhouse murders, and a newly contrived holiday with suitable ridiculousness. El Potro: Like so many other musical-genius biopics, the story of singer Rodrigo Rodrigo Romero takes us through an early period of finding himself, the fast track to FM radio, a giddy plunge into vice, and a premature death. The good news is that the rest of it is smart enough that we can fairly expect more. Four friends, all partners in a business facing some nasty tax-fraud charges, must agree on who among them shall take the fall for the crime. So when a train all but rolls up and begs to be plundered, what are Deirdra and Laney supposed to do? It is, first and foremost, an empathetic film. By now, Adams would be slated for a Marvel movie in and an Oscar nomination by But even though she took the gig in part as a free vacation, both Bell and Grammer refrain from phoning it in, spitting some real vitriol in the screaming matches that punctuate interludes of flatteringly photographed island leisure. The mythos has never been so dense, and while that may come at the expense of palatability for the general public making these releases into hits on American soil, those fluent in this particular dialect of technobabble will be in heaven. The Polka King In , a Polish immigrant by the name of Jan Lewan was arrested for masterminding a Ponzi scheme with receipts that ran into the millions. The bizarre account of his road to that moment lays a strong foundation for this zippy comedy about a lunge at the American dream that ends in a belly flop. Jack Black sinks his incisors into the role of the perpetually upbeat Lewan as an opportunity to do what he does best — namely, a funny voice and rock star-lite strutting during the whirlwind polka numbers. The boxing great fled his home of Mexico after a punch left his opponent down for much more than the count; stunned by his own capacity to do harm, he resolved to live a monastic life of humble pacifism among the Finns. His reluctant emergence from retirement fails to land a blow, but the film takes on a second life as a close examination of emigration and assimilation. Kim signals plans for so much while seeing so little of it through to completion, wantonly picking up subplots and casting them aside before anything can be done with them. Maktub A brush with death has a way of putting the zap on a guy. Partners-in-crime Chuma and Steve Israeli comedy duo Guy Amir and Hanan Savyon resolve to change their gangster ways after pure coincidence leaves them the sole survivors of a terrorist attack at a restaurant, but getting out of the game is never that simple. Their associates, naturally, have other notions. Amir and Savyon get away with their dicier hot-button writing on merit of their well-honed rapport, keeping everyone too busy laughing to tell whether or not the film is blithely problematic. Rajma Chawal Widower Raj the great Hindi cinema idol Rishi Kapoor wants to reconnect to his closed-off son Kabir Anirudh Tanwar , so he does the only rational thing and catfishes the fruit of his loins. Director Leena Yadav has no shortage of rather conventional complications up her sleeve, as the woman Amyra Dastur whose selfie Raj used for his faux-profile shows up and the truth inexorably comes out. Even so, this is what the Bollywood entertainment economy firing on all cylinders looks like: Call it the Yadav touch. Manhunt John Woo, he of the doves and indoor sunglasses and brain-melting gun fu spectaculars, came to Netflix to peddle his latest bullet-strewn dance of death. He brings his usual hyperkinetic style to the pursuit between a fugitive and the monomaniacally driven man on his trail, the action sequences as likely to inspire whiplash as the wild, out-of-nowhere vacillations to comedy and romance. Sometimes even with parental consent! Updating Clueless for the age of normalized vaping, the girls handle the hurdles of boys, parental units, and their inevitable separation with a distinctly modern candor. On a few different occasions, this film actually puts the horniness-money of Blockers where its mouth is. A Futile and Stupid Gesture Having already turned the tired tropes of the summer camp flick and the rom-com inside out, it looked like virtuoso parodist David Wain was set to lay waste to the biopic with his treatment of the life and times of National Lampoon co-founder Doug Kenney Will Forte. Forte plays Kenney as a figure of self-destructive tragedy and Domhnall Gleeson provides the superego to his id as co-founder Henry Beard, but the script forces both men to be stock figures in a hidebound rise-and-fall routine. The film rushes through some tossed-off horse pucky about Triad gangs and an innocent little girl caught in their crossfire, but so quickly and carelessly that the punches eventually lose all meaning, like a physical version of semantic satiation. For those who see the onscreen lancing of guts as a challenge in the same way that leather-mouthed mavericks take on punishing hot sauces, this poses a demanding test of endurance. Lady J Americans love to watch the frocks-and-petticoats set behaving badly, so the same costume-drama fetishists that made The Favourite an unlikely hit may flock to this salacious retelling of an 18th-century French novel from Denis Diderot. Eager to get back at him, Pommeraye enlists the help of a bewitching brothel worker Alice Isaaz to give the Marquis a taste of his own sour medicine, remaking her as the well-bred Lady J. Rarely has sin been so delicious. The horrifying visions that then plague him amount to a sumptuous buffet of terror trigger warning: The video is the latest encounter captured with cell phone cameras that show white people across the United States bullying and threatening black people and other minorities. In Brooklyn, New York, a white woman told police that a 9-year-old boy sexually assaulted her, but video surveillance showed the boy accidentally brushing past her while walking in a deli. The woman has since issued an apology. Share this article Share. Read more: Share or comment on this article: White woman who hurled racist abuse at two black women is fired from her job e-mail 50k. More top stories. Bing Site Web Enter search term: Charlize Theron: My child I thought was a boy is Dancer beams as he meets fans How you can dress your whole brood on a budget, whatever the occasion Ad Feature Rachel Riley dragged into furious Twitter row with Coronation Street's Nicola Thorp over female genital mutilation Twitter spat Emily Ratajkowski's secret to the perfect topless selfie revealed: Kim Kardashian and her sisters proudly open the Robert G. Kardashian center for esophageal health Viewers left in tears as Billie cries during visit to a children's hospice Princess Beatrice shows she's just like us as she's spotted picking up groceries in Marks and Spencer Kodak Black cancels Wednesday night show in Boston for undisclosed reasons as rapper's location remains unknown Mysterious Lovely to bump into you! Tinsley Mortimer breaks down in tears as she cries over late alcoholic father and relationship Emotional Madonna, 60, transforms into a cigar-smoking bride for new single Medellin with singer Maluma Strictly star awkwardly swerves Stacey Dooley questions after her ex revealed former dance partners are in a relationship Kristin Cavallari steps out in New York City in two outfits Joel Edgerton holds hands with his fashionista girlfriend Christine Centenera as they go sightseeing in Dublin Ivanka reveals her seven-year-old daughter Arabella used the nanny's phone to ask Siri how many people her grandfather had saved from prison Victoria's Secret model Kelly Gale flashes underboob as she wears ANOTHER bikini to Coachella Jussie Smollett relaxes on Hawaii vacation with a suspicious looking cigarette as the texts sent by meddling Chicago prosecutor Kim Foxx to get his case dropped are revealed Coleen Rooney looks radiant as she joins sons Kai and Klay for a wholesome snap Every editorial product is independently selected. 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